Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
这傻逼剧情真是绝了 你这比以前的脑残韩国偶像剧还不如 女主喜欢男主 却完全没有那种喜欢一个人的心理活动 我所看到的好像只有对他的性渴望 还经常自己脑抽干了啥事后面反悔了 靠拉扯或者是说靠性让男主爱上你 总有一种当了婊子还要立个牌坊的感觉 性格古怪的不正常 女主反正不讨喜 男主长得确实帅 能让我在尴尬的同时小磕一下 但你就是想拍一个唯美sex片呗 这两人说白了和py真没啥区别 恋爱不应当是这样的发展 不能把性当成主角
作为青春爱情电影还是挺不错的，该有的要素都有了，养眼的男女主，色彩丰富的画面，爱情之间的推拉与反应，讲了一个挺完整的故事，表现形式也青春大胆，值得四颗星，缺憾是其实男女主到底是怎么互相喜欢上的没有阐述得很好，优点是女主真的有股自然而然的傲气，明明放在日剧里非常尴尬出糗的情节，到女主身上就完全不会有这种感觉，这点还挺神奇的，哪怕被甩都感觉没有任何自卑感，只是单纯伤心对方不值得，而且也会大方承认自己是傻瓜，就还挺直率的哈哈哈！
#重庆IMAX超前观影# 比预告看完的预期稍微好点，相比于传统公路追逐片而言，这部电影除了公路上的追击与逃跑，还把一定程度的叙述时间给到了车内的急救与沟通。为了生活走上不归路，但依旧在犯罪边缘试图守住自己最后的底线，到头来还是兄弟情深。
剧情有很多逻辑漏洞，经不起推敲，不过，特效和情绪煽动很到位。可以看看
苍天啊。怎会如此难看。在卖拷贝蹩脚的指导下，老吉的演技无限趋近于0。女主是低配版的梅根福克斯吗？老男人果然一辈子都喜欢一个类型
一种比较好的青少年亲密关系的引导，不谈性色变，感受爱情的美好。
竟然很好看，但也有很多迈克尔贝的臭毛病。看看本阿弗莱克的《城中大道》就知道，追车和镜头炫技从来不是这类警匪片最重要的元素（何况撞水果摊有什么爽点啊大哥）。封闭的救护车空间里放下复杂身份共同营救将死的警察是非常有张力的戏码。交给马克沃尔伯格和彼得伯格，用《恐袭波士顿》的调子拍，这片肯定能7.5分往上。
一星给男主脸，二星给女主屁股，三星给居然看完的我自己😅
前半段的推拉还挺精彩，后面就一路朝着洒狗血去了
两颗星是给男女主颜值
这是揍嘛呀，我不理解。但有一说一，男主真滴帅
评分好低，可我觉得还挺好看的👉👈，男女主都狠漂亮，cp感拉满性张力max，而且以希腊神话来更加增添了神秘和性感🤤 画面拍的也狠漂亮，色调都很舒服，结构也狠完整，just故事老套一些，演技麻麻，中上的欧美网络电影8
无数次因为（替主角）尴尬笑出来
除了ghs，这片也就没啥看点了…看来欧美意淫起来也比我们高不了哪去（另外简介里说女主不是傻白甜，我想说她的行为逻辑都不算蠢的话，那我也无话可说）
艺术就是爆炸！迈克贝还是小爆炸了一下，场面是有了，两个小时也太长了，中间也没看出多少斗智斗勇就给人一种，我在智斗的错觉。我还挺喜欢，主要是兄弟俩复杂的感觉，女主角那一枪，最后威尔那一枪。丹尼最后说我弟弟是好人有点感动，虽然事都是你整的，毕竟family至上嘛。
除了故事很差，剩下的我全都喜欢。男女主挑逗暧昧的氛围营造的太妙了，景也拍的很美，看得我全程心砰砰跳。
宣传里各种翻版五十度灰，完全没看出来，明明很普通的爱情片不知道为什么被自媒体说得那么精彩……
这剧情给我土笑了 男孩的故事笑死我了 中间有点尴尬但是有这颜值确实可以掩盖一些 甜美大欢喜结局我永远喜欢😁
2.5。卖拷贝运镜秀.各种无意义的高空航拍俯冲与翻转镜头乱剪一通，炫技都炫得如此随性....爽点小而割裂不持久，车队造势感一度串戏边境杀手但算法天悬地隔。激励事件和人物弧光是故事课都不敢写的那种俗套，诚然爆米花亦不该过分苛求文本，但生理层面真高潮太少，手持和节奏把控毛糙粗暴，大多数我的兴趣点竟然是在不自觉地臆想汽车到底几时变形。
西班牙《继承者们》加强版，剧情一般。收获了西语版I hate u I love u。
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