Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
大家不能往外围迁一些让妈妈起身吗？人类可以做到吧？还让一个巨大的智慧生物一直埋在小镇下面不能起来，全靠生物对人类的仁慈，哪天不想睡了可以想起就起，也不安全啊。
拥有绝对力量但还心怀天下的巨魔，我也想成为，嘻嘻
最后巨魔妈妈的发言也太治愈感人了吧，新年的开始就被暖到，期待第三季的播出
人和巨魔之间需要沟通和谅解。
希尔达重拍了《进击的巨人》和《沼泽地的女儿》，爱产生力量，爱战胜一切。
结尾好感人，不过电影就像希尔达剧集三集长度而已😂，没有不好，但是感觉不太像电影，只是抽出了做三集的空做了个电影
Hilda长高了，每一个母亲都很伟大，小朋友有时候比成年人拥有更多的勇气。
想象还是蛮不错的，不过刚开始叙事有点懵，本来推荐朋友看的朋友看个开头放弃了
when you‘re not sleeping…巴巴真的不是面包超人吗 求求了第三季快点出吧
怎么说呢，看起来是一个简单的关于爱的故事。善意比敌意好，沟通比恐惧好。因为是幻想故事，陌生的种族，动画的形式，还有画风，都带来了足够的新鲜感，让人忽视一些其他东西。然后就显得顺理成章，甚至质量不错了。
love always love
给小孩看值得五颗星 但是我已经二十一了
昨天看了一半就睡了，导致梦到自己变成了石头人
很治愈的动画片啊，每个人有自己不同的立场，但最后爱能克服一切啊。同时爱也应该是不分种族不分国界的。更让人看到拥有正确价值观的孩子就是国家的未来。
很喜欢前两部的剧情，但感觉结尾有些仓促，这部电影算是补第二部的残缺。可惜的是，这一部少了很多之前的老朋友。
虽然但是，为什么人类不可以搬到另一个地方让巨魔妈妈出来啊
其实本来只想给4星的，而且还是有一星是我喜欢这个系列的情怀所在。但最后结局覆盖掉了前面90%的冗长乏味。仍然喜欢这个系列，但电影让我认清了它并不适合这么长的时长，亦或许作者并未很好的转变创作的节奏。中间一度拖沓的想关掉，其实还是一个20-30分钟就能够讲完的故事。但作者对母爱的理解和表达确实出色，每一次都能让我很动容
放下高傲与戒备 你才能看到对方的善意 给予孩子最好的爱就是let it go 放手 才能成长
555最后的结局有点好哭TvT即使我没看过前面的剧情
好好啊，真好好啊，我也想活在Hilda的世界观里。或者任意一个有消融心之壁道具的世界观里。
Copyright © 2015-2023 All Rights Reserved
