剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 卫金泓 6小时前 :

    要说我是有多满意,那倒不是,但是这种不搞氛围直接给观众视觉冲击的恐怖片确实要吃香不少。电影前期来说拍得不太美国,清冷的色调和场景反而更像是北欧的作品,不过后面特写的血腥场景和怪物估计会让不少胆小的观众san值狂掉。(越来越想看哭悲了)

  • 岑寄柔 6小时前 :

    导演是宫崎英高的粉丝么??

  • 巴运珹 4小时前 :

    鹿的形象有点克,剧情挺俗的。影评第一个说什么反抗父权的实属没太大必要。索然无味的烂片不值得讨论起背后的意义

  • 卫泓成 6小时前 :

    悬空呕吐,恐龙尬舞,安保爆手,Mulder探员忆苦思甜,还有个无聊吐槽彩蛋,也许是Judd Apatow的最差导演作?

  • 帆璐 4小时前 :

    no 大失所望 光有怪物没有好好讲故事 然后那么大BOSS就凭女主光环解决了

  • 初初 8小时前 :

    大处有视野小处见细节 段子一箩筐 多加一星疫情的独特共鸣

  • 哈若蕊 8小时前 :

    这部剧想要表达的东西还挺多的但是没有很好的表现出来。一样的恐怖片缺点就是太老套了。

  • 敛骊雪 5小时前 :

    5.5/10 阴暗潮湿的小镇必出妖,又一个老套的古老传说,浪费了演技好的小男孩。

  • 折嘉丽 9小时前 :

    前面三十分钟甚至40分钟都是很不错的营造了一个阴雨偏远废弃小镇的感觉,小男孩真的演很好,从女校长失智独探满走道都是血的房间开始就集体角色失智了,最后警察和女主的动机简直扯皮,如果最后没这么拉垮,我能打五星

  • 喻莎莎 3小时前 :

    电影其实还不错,就是这种害人精女主模板。。

  • 廖依柔 1小时前 :

    画面干净扎实,特效镜头不多,但故事始终围绕主题,效果好。

  • 吕思雅 1小时前 :

    怎么说,有点拖,不过怪物也没有遮遮掩掩的。我看的温迪戈传说是只有吃了人肉才会变,被抓伤不会感染。

  • 可彩 8小时前 :

    惊悚没多惊,反正鬼佬就是创造个恶心的人物就行了。

  • 奚萦怀 4小时前 :

    可惜了小男孩这么优秀的演技以及影片这么出色的美术设计。

  • 宇文宏毅 6小时前 :

    被严重低估的新片,恐怖血腥暴力,必须满分拉回评分,很好看

  • 愚博艺 3小时前 :

    虽然一开始就猜到了是温迪狗 但氛围的营造很成功 还是带出了悬疑感

  • 卫中成 9小时前 :

    在飞机上看的,看到最后也没看懂。就算是隐喻在剧情上也太牵强了。

  • 年元勋 3小时前 :

    怪物还是体现的太少,女主后面和温迪戈对打感觉玩血源一样

  • 卫琦 3小时前 :

    优秀的设定,平庸的剧情。表面上是对人类活动导致环境破坏的反思,内核里还是家庭内部的创伤和共情。破败的工业小镇,蜿蜒的地下矿坑,氤氲的森林,原住民的神话,包括设计还算不错的怪物形象,有这么多优秀的元素,恐怖效果的呈现却几乎只靠被啃噬的血腥尸体,作为片名的鹿角也沦为空洞的符号,它几乎消失于前半部分,却又在后半部分直接被具现化于怪兽本身,似乎想仅靠着寥寥几个穿刺的血腥镜头来唤起观众的恐惧,这恐怕只能是奢望。

  • 干开宇 3小时前 :

    2.5分,高开低走,创意不错,结果被女主直线下滑的智商毁了。

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