Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
LL的罗马、上帝之手、贝尔法斯特、甘草披萨 + 阿波罗登月/Space X重启NASA航天之梦
年代感很重,可惜没什么共鸣
7/10,满满的对上世纪60-70年代的回忆,登月、上太空是最鲜明的时代特征,而本片正是借着最具有时代符号的事件全方位表达了对时代记忆的怀恋,是兄弟姐妹、玩伴、游戏、歌曲、电影等等。。真美好啊!
但喜欢这样的叙述形式,可能对外国小孩文化想有点认知而瞎凑热闹 是导演自己的电影 不会太火
上次看转制动画还是《半梦半醒的人生》,看完后又专门搜了登陆月球纪录片来看,正如影片中所说,当时现实中许多复杂的事情,对观众来说就像电视剧一样,人的记忆是很奇怪的,会认为自己亲眼看过,而至今仍有人怀疑月球漫步的真实性。
林克莱特电影奇妙的地方就是明明跟你隔了十万八千里,但你就觉得他在讲你的记忆,难道这就是人类命运共同体,主人公上月球的线讲得不清不楚,反正你也看得不清不楚,ok就像睡前看的哲学书
有助于理解战争不是某一瞬间的决定,而是积怨已久的爆发。
用孩子视角去观察讲述
人到中年(老年)总要拍一部来追忆童年系列,旧时生活的细节是最有趣的。
旁白娓娓道来理查德·林克莱特的美妙台词,像一部精彩的童年回忆录,我被深深迷住了
又名二十世纪六零年代美利坚史。太空含量过低,而且时间和空间的横沟导致完全无法共鸣。
开局惊艳,结合时事很应景。后面有些眼盲,分不清敌我了。
没想到是动画片,还可以,那个时代的一个缩影
挨炸救人,再挨炸再救人,看起来很流水账,可这就是乌东老百姓的日常,基辅统治者造就了字面意义上的官逼民反。不过最后俄国人的天兵神降有点好笑,好似武工队艰苦战斗终于等到了八路军。
睡在车上那种舒服的感觉
喋喋不休、也娓娓道来。在跟随导演回顾童年的同时,我也看到了我儿时的影子。
人类的共性远远比想象中大,看着登月年代的美国少年那阳光灿烂的日子一样心有戚戚焉……
比较新颖,很少看这样的片子,通过片子可以了解到那些年代的一些事情。
絮絮叨叨,又有趣,温暖怀旧,哪个少年没有做过宇航员的梦
給美國5-60年代baby bommer懷舊的高級情懷片
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