Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
故事源于生活，消沉的女作家，靠颜的男封面，一起踏上神秘小岛，过河滩爬悬崖斗反派，一路斗嘴耍宝，毫无意外的感情升温。
人物可爱配音可爱但是剧情过于薄弱了，可能确实不太适合成年人观看。
片名叫错位的青春，电影视听也错位。漫改电影不可避免的夸张化尴尬化在片子里毫无意外一一踩雷。表演的不成熟，剧作和视听的错位，一会黑化丧化，一会情欲化，一会甜美化，一会轻松化，风格反复横跳，看起来内容是塞得满满的，但连最基础的人物动机都没有捋明白。
不是说好了狗子都是吉娃娃么！
这电影色色的，女主怎么还漏乃乃了。我还以为看错了。
败笔在跨物种的爱情线和那个杂交蛋…
皮特，Sandra，和查宁的屁股，各一星。
fuck the covid. fuck up everything for me.even a film like this
尴尬，虽然部分桥段我也很无耻的在笑，不过可以确定的是，明年这个时候我会完全忘记这部电影讲了什么。
翻译组可能没考虑好影片定位，老土的网络用语 大人觉得尬，小孩又听不懂。7分吧 角色勉强有一点可爱，剧情小孩应该会喜欢吧
虽然这么说了，但是我高中被拒绝后，摆烂六年多，现在没钱也不想工作，躺平等重开了。
4. 全片太多对白 又夹杂了诸多英文梗 换皮泰囧做实.
合格的chick flick。导演就不能让快六十的 Sandra bullock 穿点舒服的衣服和鞋子吗？
如果这不算欢乐无脑喜剧片我不知道啥算了，大牌好几位还有Oscar呢～给钱老板（或者替身）的屁屁加一星
伤痛，对立，理解，释怀，拥抱更广大的天地。
比另外一部电影化的好点吧。两个主演的外形都比较还原漫画，但是演技就呃呃了
超好看，超值，特别适合小朋友。国产动画电影越来越牛了！影片后面的小反转，对小朋友们来说足够惊奇了，大人都没想到
好吧，我摊牌了，全片最大的惊喜就是查宁塔图姆的屁股，为了这个屁股，我连水蛭都不觉得恶心了。但是除了这点，全片槽点满满。丹尼尔出场的那一幕，我差点以为他是要求婚。皮特挂掉的时候，我惊呆了！你给一个客串的这么多戏？桑德拉穿亮片紧身衣出席签售会的时候，这车已经翻了，救不回来了……看得很想让人夺过编剧的笔来重新写剧情。
陪Daniel看的第一部电影，却是他看的第二部电影🥲// 让一个夜猫子抱着一个酸臭的小男生看早场电影，真是太为难我了。// 剧情还行，小朋友挺喜欢，穿梭时空花带回纪念品有点意思，就像“随手捎点小玩意儿”的旅行蛙。// 最后，为啥萌萌的就要当宠物😕 生殖隔离也是不合理的😒 // 看完大耳朵图图霸王龙在行动之后，回头来加一星。
挺好看的呀，国语配音很优秀了，分低了分低了。
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