Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
但许久没有这样的片子了。
很意外居然节奏、演技、运镜、服化道都值得一提，尤其最后那个漆黑的夜里煞白追光下快意恩仇的一刀，颇具写意，嗯……如果不去想古代哪来的追光这件事的话。就是可惜了琴娘，但没有用琴娘做人质，倒是让瞎子可以无所顾忌地挥刀。
虽然低成本是网大的标签，但是不多的预算也算是用在了刀刃上。情节也算短小精悍，套用疾速追杀，爽就过瘾。谢苗从青葱少年变成如今的网大扛把子，也算不负一身本事。
其实感觉还不够五星，但应该鼓励一下，有过去武侠片的味道，武打动作挺漂亮，但节奏感觉太平均没有起伏，尤其配乐，不喜欢太多慢动作，希望可以增加现场声音的收取，简单对话的可以现场收声吧，现在配音很明显能听出来，演员配音的声音会有疏离感，谢苗很不错，演技单位，武打动作没的说，谢苗值得大银幕！
少年带着无知无畏的勇气闯进了这个混乱的社会，他们自信满满以为能出人头地，最后被干的遍体鳞伤。
剧情简单，干净利落的台词和动作很喜欢，有感觉的画面和台词，把大侠的气氛烘托到了极致，大侠牵马驮着美女的水中黑白倒影，最后黑白大战白雪黑夜，攒
也没有很差，毕竟只是网络剧。杀一个人要偿命，杀一百个就不用了。最近唐山事件人人化身正义使者，可真正能够见义勇为者寥寥无几。莫说普通人，就是我身边的警察朋友、军人朋友等，也都说过遇见事他们才不管的话。
打斗场面让人看得爽，果然离不开魏君子制片。
剧情简单，打斗过瘾，那个甩刀动作反复看了好几次，cool！
架空历史大致在安史之乱后，弑父主题在情理之中，一个没有王法的地方，“我说什么，他们就信什么”。
ps谢苗在另一个网大里演孙悟空就已经很帅了！
打斗场面让人看得爽，果然离不开魏君子制片。
没抱什么期待看居然还可以，谢苗动作和演技都挺不错但剧情还是粗糙了点，看到后面...琅...琅琊榜？？ps：开门灭口的设计我蛮喜欢的
大部分演员演戏都用力过猛，故事方面有待商榷的地方很多，但是电影有三个加分项，一个是美术设计，一个是武术指导，还一个是谢苗武术功底扎实，动作戏完成的干净利索。整体质感和主色调运用也很到位。算是网大中的优秀作品了。
2 目中无人，心有公道。目中无人者，瞎；心有公道者，侠。网大瞎侠，小成本精品武侠，动作和台词都挺干脆，不差。
在网大里算的很精良了，国产武侠也需要多多唤醒了，另外谢苗真帅啊！
但是。。。。有点太日式了吧，从宇文家家徽到各种构图
3.5星吧 对比经典缺点还是不少，但是有闪光点。
非常好看，镜头很美，画面也极具写意的美感，不管是大雪杀人还是雨夜纷飞，都有一种侠客的仗义豪情在内，谢苗的武大动作干净利落，五颗星送给这句台词:我在这里生活了二十多年，才知道这里是个没有王法的地方！
一分扣在剧情Bug：倪燕家被屠门时瞎子完全无知觉。
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