Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
碎片化的主线和过长的时长让这一部乏善可陈。
好萌的醜動物啊啊 暗號「我醜 你也醜 大家都這麼醜 醜才是美的新潮流」好搞笑
直播屏幕一出来，就该明白魔法世界已经完蛋了。最安慰的竟然是这里的反派还讲究选举的程序正义，“君权神授”，镜外人笑镜中世界老套过家家，正因为我们所处的这个空间最为无耻、混乱和疯狂。这个系列到此完结了，血盟的破碎，我们没有兵戎相见，却也从此分道扬镳。Turn left，turn right.
这个电影本来故事就挺薄弱的，本来可以更煽情的，崔岷植的演技还是有触感的。
拒绝圈养室内动物园，请选择自然栖息地动物公园。
“大家猜猜我帽子底下邪恶丑陋的东西是什么？”“我猜是你的脸🙄”。整部动画都很澳！
导演连简单的调度都搞不好，干脆就多摆几个摄影机，想通过后期剪辑狂切镜位来掩盖这一点。滥用剪辑在前半部分尤为突出，看得令人心烦。
我居然嗑起了60岁老伯伯和中学小男生的CP，我真是服了自己这个老六！
选择做正确的事，不要做容易的事。
前半段非常拖沓，后面一个小时越来越好看。最大的惊喜是那首由派后面的小数点改编的乐曲，不知道是不是真的，还是完全杜撰的，总之曲调非常和谐。
全片都是以一种儿童文学的梗去编织正传故事，可以用更放松的心情去看。优点是故事完整；政治阴谋到几段感情羁绊都有始有终；几场大特效都非常好，尤其是魔杖战斗，是我见过制作最精良的；洞窟趣味性十足，回到了密室的记忆中；巷战用霍格沃兹的东西也很亲切。缺点是关键剧情儿戏化，反视计划、黑人卧底、巷战换包、夺权失败，都跟闹着玩似的
1.剧情上其实没太大问题，就是有点平淡。2.服化道水平肉眼可见的缩水（毕竟德普3000万美金白给）3.拔叔的格林德沃真的相比德普差太多了。4.傻逼华纳！！
三星半。第三幕真感动，第一次看到片名时还以为是奇幻片其实是剧情片
实属大地主看不上这些钱
有多好的故事版就有多烂的合家欢，不带脑子看得挺开心的
《重返大荒野》「我醜你也醜，大家都該這麼醜，醜就是美麗的新潮流」
学术也难逃政治……欧拉公式被解释的真浪漫。可欧拉空间却要搬家了
非常可爱的动画片，小孩子也很喜欢。无论是搞笑动作故事还是动画创作都相当满意。
老同志的演技是真的好。弹钢琴那段，对比合奏的宝兰，他的眼睛散发出压抑了很久的真心的喜悦透过屏幕俺都能感觉到。
独立的人一般不太愿意接触看似收到帮助小于给予帮助的人 这个剧情设定可以 屌丝通过隐藏的绝世高人相助成学霸 拍成动画片更好看 能看到一些闻香识女人和死亡诗社的影子
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