Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
互攻我没意见，但你们俩男娃娃这个体位是怎么做到的
电影背景下的治安这么差？ S了那么多人最后还自己良心发现才被抓？ 我的天。
一镜到底，结局略微突兀，但是餐饮业承受的压力基本就是这样
《游戏男孩 电影版》给我的观感比之前的《你好陌生人：电影版》好多了，没有强行分手又复合的抓马剧情，而是将原剧集美好的结局延续，过程中有矛盾也有和解还有两人互攻的第一次……这个整体积极向上的浪漫爱情故事都甜到屏幕外观影的我了。—— -好吧，那我们打算看什么电影？-你想看什么都行，宝贝。看恐怖电影吧？你害怕的时候，可以抱紧我。-你又要作妖了。看爱情片吧？ -然后 你就会深深地爱上我，宝贝。-那就看家庭片。-所以 你想和我组建一个家庭。-那就看电视剧或者动画片吧！-都随你，宝贝。
一把子期待第二季！！！
超级棒，在我心里是腐剧的NO.1！😭我下个对象一定要找卷毛的，狗狗眼的男生！
粉丝向电影，居然看出了韩剧的感觉，gay版偶像剧，又没有bl剧离谱，还行
这种续篇才值得被赞助被支持！赞爆导演编剧和制作人，电影没有丢失电视剧的灵魂，很流畅地过渡了两位主角的关系变化，并且还拓展了主题。两位主角都很出色地演绎了面对出柜、家庭关系、朋友圈、疫情重压、LDR的困境时，那种纠结挣扎和痛苦。特别表扬Kokoy！三段哭戏都绝了，非常让人共情。
让人想起人肉叉烧包，动物世界那段经典，食肉动物猎杀食草动物。
3.5/5, 一镜到底很流畅。唯一的主场景，探索出了各种可能。
全剧主厨说的最多的就是抱歉，，对不起，，，
一镜到底终归是一种方式而已，总感觉像一个刚拿到摄影机的毛头小子，好奇心促使他一头冲进职场，左拍右摄的看见啥都兴奋，尽情的收进镜头，一直开机还忘了关机的路子。要想讲好故事还得靠内容，不要太贪恋这种手法哦。
one shot一镜到底，结尾略仓促。利物浦口音太迷人
我晕死 万万没想到互攻型选手！！ 没有剧版好看 剧情也抓马前期比较尬 后面结局还行 但是大嘴包小嘴的吻戏真的好出戏啊哈哈哈哈哈哈怎么会那么好笑
不错哈！没看过剧版直接看电影，发现两个演员都不错，镜头感导演把握得很好
形式不錯 演員不錯 結局不行就感覺空泛了點 廚師勸退戲
两个傻男孩，疫情下温暖，大家stay safe。
依旧可可爱爱俩小哭包 他俩在某些桥段的演技真的好自然 特别是得知myra阿姨患病后那个相拥而泣的部分
Tellement j’ai été ému par cette fin, jusqu’aux larmes.
一开始有点劝退。但是后面再看觉得还好，导演这种视频沟通的拍摄手法还挺新鲜的。
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