With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
这个系列发展到第四部的感觉就是，人物建模和场景已经有一套套可复用的模板，就随便编一点不走心的低智商剧情，换件衣服就拉出来骗钱了，真的是再也做不会前两部的惊喜感，现在就是完全不好笑也不好看，索尼动画部门可能只是为了索尼应该有动画电影而存在的，从没感觉他们想超越迪士尼皮克斯照明，因此对这个系列的感情也算消磨光了，后面如果出不来名利双丰的，也确实没有看下去的必要了
想想那位被冤枉的父亲，和早早操劳去世的母亲，唉。
怎么说呢，有点太伤感了，虽然觉得作为电影来说故事有点单薄。。我想了想，虽然有点恶俗，但是如果把这个设定作为守和绘里相爱的前调，或许我会喜欢的。PS，你们搞笑艺人果然还是出场太多了wwww
陪朋友跟她弟弟一起看的。。顺手标记一下吧 就 挺烂的 没啥好聊的 欧美动画片越来越难看了 受不了过分夸张一惊一乍的手法
1/16/2022 Jonny集我讨厌的美国愚蠢白人特性为一体
第一部是爸爸与女儿和女婿的故事，第二部是外公和外孙的故事，第三部是丧偶男人和女友梅开二度的故事，第四部是岳父和变身女婿的故事。真是铁打的德古拉，流水的对手戏人物。加上一群沙雕死党，完美的马戏团小丑帮的欢乐趣事。其实这个系列完全没有必要完结，蠢事那么多，怎么做的完，喜欢看的人就是喜欢他们的蠢蛋行为，哈哈一笑，观众得到了无厘头的开心，电影人得到了money，双赢。
同一个系列拍到后面想出惊喜是很难的，但只要水平不降，就已经是一种成功了。虽然评分一部比一部低，但质量并没有下滑。甚至就观影体验而言，这一部还是让我觉得最舒服的。
亚当·桑德勒都不再配德库拉了，这个系列也就不该继续有下文了。
佐田笃弘老婆还是那么漂亮，但女儿已发育成一头猪。
Minions 之外无法忽视的系列
没看前三部，开头真的很无聊，Johnny好吵。从那几个怪物变成人开始变得好看，Johnny变成怪物之后还挺可爱的。电影院的小孩儿说很无聊，所以蛮安静^ ^，家长们倒是笑得很开心，我也笑得很开心。
#2022032#
的确是大结局了，终于看到他们属于人类的真身！
德古拉和女儿都很可爱，但是女儿的这个人类男人真是从第一部到第四部每分钟都很傻逼…不知道这个系列的价值观到底是啥=_=
太久前看的SP都有点忘记前情了，电影版的案件好像不如SP精彩，不过荣仓奈奈和木村文乃都回归客串了一下，凶手竟是金田五宝宝！
有些动画真的不需要续集了…除了第一部后面的剧情好像完全都不记得了。每次看这种大杂烩乱嗨为了续集而续集的动画，都会恨自己，为什么不能绝情一点弃了算了…
应该鼓励这样简单的人生哲理的轻松愉快的电影：不应该总是看到差的那一部分。……虽然我依然很难做到特别是疫情期间的影片，小妞看的第二部电影，原音已经没有问题了！
很新奇 我真的会笑死 作为终章很满意啦！德古拉晚年幸福！
想不出来怎么结尾就发个鸡汤打个嘴炮对吗？这样的话还是别拍续集了。
依然是岳父和女婿占主角的故事，几乎从头闹腾到结束的各种桥段，一个系列拍到第四集，多少就有些疲态了，基本上也该到此为止了吧……
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