Max is a real jerk. A long time ago, the successful lawyer had turned over all the routine duties of family life to his wife Nathalie.His comfort and leisure time were a far greater priority. Sell the roadster and buy an efficient family car? No way!But then, Max’s fast-paced life suddenly screeches to a halt when Nathalie is hospitalized for several weeks with a complicated fracture.Alone with their two children and the dog he hates, Max quickly reaches the boiling point.As if having to play father was not bad enough, he is shocked to the core when he discovers passionate love letters written to his wife and signed “From G. in love”. Feeling that his life is slipping out of control, Max’s first impulse is to find out who his rival is. Then it dawns on him – could the way he has treated his wife be the reason why she has sought out another lover?Now Max attempts to see his situation from a different point of view. Last week he was ready to plan the yearly guys’ vacation he takes with his best buddy, but now things have changed.Max recognizes just how much he needs Nathalie’s humor, her organizing talent and her optimism, but also just how important to him she and his family really are. Max tries to discover the mysterious lover’s identity, but because of his new insight, he takes an additional step.Unfortunately, when he learns that the mystery man is Gregor, Max realizes that not only does the man have all those qualities - he is very attractive as well. His struggle to become a better husband and father suddenly becomes far more difficult.Hoping to knock Gregor out of the picture and get back in Nathalie’s good graces, Max makes an appointment with a successful life coach. But turning his life around is far more difficult than he had imagined.To make matters worse, Gregor turns out to be a loving, family-oriented man just what Nathalie needs. Max is desperate – he knows there is a real chance that he might lose Nathalie and the children.Willing to put everything on the line to keep his family intact, Max makes the biggest sacrifice of his life. Then something happens that is the very last thing he could have ever counted on…
还有多少人能够接受莎翁的对白和戏剧的风格呢。
非常享受的电影，舞台仪式感好强，音效特棒，黑白摄影牛逼。演员演的过瘾，我们看的也非常爽，太短了，意犹未尽。希望科恩兄弟联手再把莎士比亚电影继续拍下去。
丹泽尔华盛顿演得确实是不太行……灯光真漂亮，女巫那几场戏非常好。
丹泽尔·华盛顿老了，演不了《伸冤人》、《时空线索》和《迫在眉稍》那样的大作了，开始转变戏路演这种小成本话剧电影。黑白片让人看的很无趣，不过摄影拯救了一切，至少镜头不晃，但是仍然看的我很困。三星给丹泽尔·华盛顿，一星给影片的制作及摄影
太一般了，一直在用全景卖弄陈旧的黑白建筑摄影美学和用特写夸示演技之间疲劳地切换，选角亦不出彩，有黑泽明、威尔斯和贝拉·塔尔等版本在先，科恩出一部这样的新版实无必要
这是话剧吗？科恩为什么拍莎士比亚？没必要拍。
每次看到丹泽尔和科恩嫂把内心戏用对白说出来，真的是尬的要死。
看的第二版Macbeth 为了看daniel craig版的百老汇版做准备
还挺希望乔尔大胆改一下的。可惜本质上是旧剧场的。转场的手段有意无意地强化了段落感，人物的出现和退场也都被严密安排。调度执拗（僵硬）到甚至像能读到剧本一般：“地点，城堡。麦克白上。与大臣争吵。下。”所以只能看到场景，而难以形成情境。几乎是一个步调，没有强弱，缺乏变奏。视觉是好看的，像不断翻新的舞台布景。但极致形式的背面，是情感的虚无。于是注定会缺乏宿命感：过分冷漠从来不是悲剧的根源，过分的渴望才是。
麦克白的一些典型黑人才有的动作和尾音很跳戏 因为历史原因 黑人的现代感太强 邓肯的声线太年轻 科恩嫂真好 画面布景打光真绝 每一帧构图都好
电影艺术和舞台艺术自身有着无法逾越的屏障。前者在于逼真，台词也要趋近现实；舞后在于去真，所以要以夸张的肢体表情，大段的艺术性念白补充唯有电影技术能够表达的细节缺失。因此电影要贴近了看，舞台要疏离了看。也许这就是这部电影有所龃龉的原因。
只能说很有个性吧
终于看了浸入式戏剧Sleep No More原型的莎士比亚剧《麦克白》的故事，不过黑白片+1.19:1的画面比例让影帝影后失色不少。还是重新发行成全彩+全屏吧！听说这个弑君故事还有一个2015年的电影版，Michael Fassbender+ Marion Cotillard主演。
挺好的改编，忠实原著，舞台化的处理，朴实。配乐也很正统。
全程出戏，实在不知这样一出“舞台剧电影”从何欣赏，镜头切得像电视剧，麦克白的演技撑不起角色，伪安藤忠雄式的建筑光影处理完全脱离电影本身独立存在。肉眼可见片子砸了很多钱，但成片确实不敢恭维，如同橱窗里摆着的一个穿着精致的假人模特。看NT LIVE和BBC迷你剧不好吗，人家玩儿莎士比亚可比这个超前和靠谱太多了。
第一次看麦克白，确实是精彩的戏剧，不愧是莎翁。翻译应该很幸苦吧，全是古英语而且辞藻华丽不说人话
无数次把鼠标拖到视频顶部查看文件名，确认我不是在看National Theatre Live
同样是以麦克白为蓝本，麦克白夫妇的表演远不及《蜘蛛巢城》里的三船敏郎和山田五十铃。
看的第二版Macbeth 为了看daniel craig版的百老汇版做准备
觉得很高大上的表演，然而不好看。。。。无论是情节还是单调枯糙的背景，当然，还是能看的。
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