Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
作为恐怖片迷，我很喜欢这部电影。好过《英雄远征》，远超这两年的漫威电影水平，导演水平不赖。
这部的优点就是文戏少，要么在追逐要么在打架，堆砌的奇观特效和变着花样的战斗设计很出彩，这样逻辑问题就少了很多，平行宇宙概念玩得一般，更像是游戏里完成任务似的穿越，剧情一条线，还是老一套漫威模式。有点承接what if的感觉，但是what if我就觉得很烂，没有亮点。
8，这次的作品还是比较符合我的预期的，故事性还OK，旺达真的强，最后被劝反，康伯巴奇的表现力还是有创意，极个别转场带有艺术电影的味道
Sam Raimi能不能出这样一版Director's Cut，开头就这样：奇异博士和旺达，王，美国妹妹一起开车前往一个林中小木屋度假...那么问题来了，车谁开？
特效真的赞👍 故事虽然老套但为了将各种魔法效果串起来也算不错了！很有想象力的作品！
不漫威的漫威，还挺好看的。疯狂了，多元宇宙了，yysy魔法对决还是得往隔壁hp看看，借鉴一下，总感觉前半场不尽人意。
I love you in every universe 奇异博士的浪漫
冗长的流水线作品，不知道是漫威看多了还是团队偷懒。
哈哈哈很開心，前面一直在吐槽劇情好隨便，說什麼來什麼，各種強行上🤣但看到後半部二郎神出現，突然開啟cult片模式，又是死屍又是鬼魂披風，好惡趣味好過癮哈哈哈，也管不了劇情硬不硬粗不粗糙了，反正對胃口很爽就是了！熙笑到嘎嘎聲
风格确实有所突破，但是结尾还是过于套路化，奇异博士的戏份和存在感被抢去的太多
别抱太大希望 其实算是优良之作 谈不上优秀 但有我最爱的旺达 必须五星！！！ 希望漫威以后多来点旺达戏份！！！说点题外话 看漫威就是冲着蜘蛛侠 旺达 奇异博士 洛基看的 看其他漫威电影就是为了看懂这四个人物的剧情的
妈耶真恐怖片儿！的同时蛮好看完全值得大荧幕 有点可惜不能同时拥有imax和2D
比蜘蛛侠好看太多，许多致敬场景可圈可点，自复联四以（包括复联四）来第一部让我没有感到那么混乱以及无聊的漫威电影
7分吧，视觉效果比较流畅；但确实是没有啥逻辑
经历那么多创作分歧和补拍，不出意料的既不流畅也不恐怖，反而是恶心到想笑，看作是纯粹为了介绍新人物的情景喜剧还是可以的
im glad i fell into ur universe
猩红女巫致敬威尔史密斯:Love will make you do crazy things.
看完就觉得怎么说呢，每个人都有遗憾，都想要完美，可是选择了就不能后悔
其实应该叫《旺达找儿子》
看的枪版加机翻，大概是奇异博士对抗神经女巫妈妈的故事。
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