With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
P.P.S片中片尾都用了Overture 1812，瞬间带回了经典片子V for Vendetta啊，英式花式炸parliament巅峰
情节恶搞离奇没关系，甚至可以没有一点道理，但是无趣和没有意思就是特么过分了
康纳被打死已经不算什么了，这，就是一个彻底的笑话。
前期云里雾里的磨磨唧唧的。。。到最后老爷子复出才有王牌特工的感觉~~~对历史的“篡改”也是挺有趣的~~最后的列宁与希特勒。。。。还有就是~原本以为帅气的儿子才是主角，结果~他中途就死了！！！惊呆了哎
You have no idea how heartbroken I am when you’re with someone else
抱着试试看的想法，结果出乎意料，好电影一部...
H“因为这是我的包袱，我不想加诸在你身上。”
中邪了我属于是
王牌特工的“黄金圈”真不咋地，但是这部源起却是另起炉灶之作，中规中矩，7分左右。不失皇家和贵族氛围，不失政治调侃和幽默，不失爆米花动作场景。有些人因为小鲜肉的线条戛然而止而对影片不满，但这恰恰是牛津公爵再出江湖的原因。
一战背景，脑洞挺大。跟前两部风格不太一样，不过也不错看。拉斯普金跳打人舞那段好看。
以为是男主的，原来不是男主，所以要听爸爸的话...本来会有更大的成就...打死儿砸的士兵，解释的机会的都不给就KO了...可恶(〃＞皿＜)
能看下去这个系列完全因为男女主的颜。之前我一直以为这个电影根据同人文改编，剧情应该早就确定了，现在看来更像是走到哪儿演到哪儿算哪儿，谁都没想好。拍第二部的时候根本没想到新角色到第三部会变成男主的父辈，选角完全推倒重来。也真正做到了男主从1到3，爸爸永远不是同一个人。以及明显感觉到演员们已经疲软，都不咋用心了，看看还能拍到第几部。
先说制作水准，是真的不太行。看完还以为是马修沃恩监制，结果是马修沃恩导演。。。
戏说不是胡说，架空历史不代表历史虚无主义，整个价值观歪得离谱
打戏牛逼文戏糊逼，三英战俄国妖僧那段有点林正英僵尸片趣味了。
抛出鬼扯历史，动作还是精彩的，感情还是到位的。
好了好了剧情和人设已经崩到差不多了，下一集（如果还有的话...）可以把最后一点颜值也给崩了…
前面的剧情…又是吵 分 和 do 这里Hardin变成丧家犬似的 吵的没架可吵了都分不开 fine 又开始讲女主生病和上一代爱情事 最后都不告诉Hardin他妈和那男的干嘛 每部结尾都不接连 我竟然还想看第四部 我一定也疯了
除了床戏和男女主，其他剧情和演员都是掷骰子掷出来的。中间一段幻想ntr情节真是有病。
狗血爱好者表示这种二十年陈年狗血大可不必，不如拍成A片对大家都好
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