Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
是两个故事合并一起上映 做成了一个50分钟的剧场 我的天太暖了！ 夏目和猫咪老师的友情 这是什么神仙动画
久违的治愈与温暖，不过这两个故事放在夏目的故事里算弱的
三篠比试时会想让田沼看到
熟悉的味道，像夏日里冰镇的大麦茶，既舒适又妥帖
還是熟悉的配方，還是原來的味道，娘口せんせい依然萌到爆炸，好喜歡第二個故事中的友情故事啊，朋友之間和諧互鬥共賞風景，真的太美了。
分为两个故事倒是蛮奇特的，也许是认为还是短篇更适合这个系列。两个故事各有千秋，都保持了一贯的风格。不管是一心报恩的小妖，还是惺惺相惜的池主对决，都有人性和友情的影子在里面。很触动人心。
202106温柔和善良就像是初夏的风给予了我无限抚慰。“散步而已，去那些对我来说充满回忆的地方”，缘分真是很玄学的东西，这些很朴素的时光，今后也会变成令人怀念的东西，一定也是转瞬即逝的。“一起往隧道里走吧，你会喜欢的”，美好的东西要和你一起看才有意义。我太想太想过夏天了，就是轻松、平和、自由啊。
只能存在于回忆中的名取先生…但是看到夏目我先啊啊啊啊啊尖叫三十秒！
不可结缘，徒增寂寞。如果有一天夏目完结了，我想我也会很寂寞。
每次看夏目友人帐都会被温暖到，都在以自己的方式去守护着对方，温柔但有力。
终于又出了新的两集了呜呜呜呜呜呜，还是这么好看啊啊啊啊啊啊啊啊！！第一集的回应和第二集的担忧打扰最近我都深有体会！！！
新片问度娘无果，只好必应看了。两个OVA合成，一大票熟人驻场：丙殿、中级、小胡子、三筱、田沼要。。第一个故事听到美酒就猜到结局了，不过仍然很夏目。。第二个故事是花美男勾引田沼要，受夏目勇斗攻小三。。还解释了为什么三筱是马的外观。两个OVA，都是夏目在保护他人了，能够看着夏目不断坚定、自信，成长、结缘，好开心。
看不见的风景 田沼家滴水声，天花板上的鱼和波纹，喜欢和田沼一起散步的美型妖怪客人三筱，房顶的法杖
温暖而热闹，平静而细腻。夏目友人帐的可贵之处在于透过怪力乱神，看到的不是恃强凌弱，而是情感的力量被不断升华。以后可以定期出个ova打卡，老友重逢，岁月静好。
真的非常过誉了，其实故事就很一般，看多了也就那样
如果有一天与朋友的差距越来越大，是否仍会以平常心处之呢？这不仅是田沼的担忧，也是我的。但是我想，朋友也许就是即使很久不见，也能一见面就谈天说地的存在。
普通两集的容量。夏目还是那么温柔，怎么看都不厌倦。
我们都是沼泽之人 我们都是强大之人
还是熟悉的味道，还是熟悉的妖怪们，怎么觉得三三又胖啦…哈哈哈哈！此生无悔入夏目，来世愿做帐中妖！
为了夏目友人帐开了哔哩哔哩大会员，真香！
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