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分类: 记录片 2007

导演: David Douglas

剧情介绍

  Agusta 109K2: Alpine Medivac Rescue
  Straight Up's exploration of vertical flight begins with a high-impact alpine rescue amid an avalanche. The dramatic opening sequence documents the dangerous work of the Rega mountain rescue team and the invaluable role of the Agusta A109K2 helicopter in saving lives and minimizing injuries.
  As the camera pans over beautiful vistas of the snow-covered Swiss Alps, it cuts to a cornice, as a chunk of snow breaks free, triggering an avalanche. The tranquil scene is shattered as the avalanche thunders down the mountain slopes. With terrifying speed, it heads straight for a mother and child trapped in their car, wheels spinning on the icy road.
  The mother calls for help on her cell phone, and a second call from a snowplow prompts radio dispatch. The Rega mountain rescue team already is airborne en route to the scene, the red cross painted on the helicopter's white underbelly signaling that medical help is on the way. The mother escapes, but her son is missing. Within minutes of the helicopter landing, the rescue team dig out the car, extract the trapped boy, apply first aid, and airlift him and his mother to safety.
  A significant mountain hazard, avalanches are responsible for many deaths each year. Time is of the essence in avalanche rescue work. A person has a 90 percent chance of survival if found within the first 15 minutes, but one's chances of survival diminish with each passing minute. Not only do helicopters provide quick access for rescue teams, they also provide a lifeline to medical care. Flying the injured to the nearest hospital as rapidly as possible is not the only type of rescue operation; often helicopters bring the hospital to the injured, who receive treatment at the scene.
  The powerful avalanche was shot in British Columbia's Selkirk Mountains under the supervision of the Canadian Avalanche Association. The CAA controls avalanche risk for the safety of heli-skiers. To capture the avalanche head-on, avalanche expert and filmmaker Steve Krochel and David Douglas developed a quarter-inch-thick steel container for the IMAX camera, which was equipped with a triggering device and a beeper so that the camera could be found once the avalanche had swept it down the mountain.
  The rescue was completed in Switzerland's Bernina Pass near the Italian border. Filming the Rega rescue helicopter air-to-air sequence turned into an international excursion as Douglas chased the sunlight over Italy in one direction and in Austria in another before setting down in Switzerland. In another dramatic shot, Douglas centered the red cross in the crosshairs of the camera lens as the craft descended. To facilitate this shot, Douglas dug a hole in the snow large enough to accommodate himself and the IMAX camera. Inside the hole, 3 feet below the helicopter, he filmed its takeoff.
  According to Douglas, "The helicopter is the instrument of rapid response to natural physical and social disasters around the world, alleviating human suffering on a major scale. For the individual caught beyond the limits of training or equipment, often the last chance for survival is the hope that a helicopter will get to them in time. "
  The Pitcairn PCA 2, "Miss Champion"
  For centuries humans dreamed of flight. The Chinese, in the 12th century, developed a toy helicopter made from a pair of slats mounted on a stick, but serious efforts had to wait until the early 20th century. Then, after the Wright brothers' historic flight at Kitty Hawk, we dreamed of flight unfettered by the limitations of runways and airports. Yet by the early 1930s we were still at the dawn of the practical rotorcraft, which promised to give form to humanity's vision.
  The ten year period between 1925 and 1935 was an exciting time in aviation history, but few aircraft so caught and held the public's attention, as the Autogiro. Nicknamed the "flying windmill," this strange-looking aircraft was first successfully flown in 1923 by the Spanish inventor, Juan de la Cierva, who had been working on the development of such a craft since 1919. The Autogiro fascinated the air-minded public because of its remarkable performance and high degree of safety, attracting such leaders of American aviation as Charles Lindbergh and Amelia Earhart.
  Juan de la Cierva sold the American manufacturing rights to Harold Pitcairn in 1928. Pitcairn's Autogiro boasted a more modern fuselage with better aerodynamic qualities. It also provided prospective buyers with a choice of either a 300- or 420-horsepower engine.
  In the film, Harold Pitcairn's son Stephen flies "Miss Champion," a 1931 model. This Autogiro, used for promotion by the Champion Spark Plug Company, is controlled like an airplane, but is lifted with blades. Although the original rotor blades have seen 1,600 hours of flight time, they are still airworthy. With a 330-horsepower Wright R 975-E engine, the Autogiro has a cruising speed of 98 mph and a top speed of 118 mph. "Miss Champion" led a National Air Tour and made the then-risky 300- mile-long flight from Miami to Havana, Cuba. (Until then, the longest over-water flight by an Autogiro had been 25 miles in length.) Later, "Miss Champion" flew nonstop over a distance of 500 miles to Chichen Itza in the Yucatan rainforest. "Miss Champion" was retired from active service in 1932 after setting a new altitude record for rotary-wing aircraft. Climbing to a height of 21,500 feet in 1932, the Autogiro surpassed the previous record set by Amelia Earhart. Today, the Autogiro is considered to be the evolutionary "missing link" from which the practical helicopter was born.
  Forty years later Stephen Pitcairn began the formidable task of collecting and restoring examples of his father's aircraft. He tracked down "Miss Champion" and in October of 1982 began the painstaking task of restoration, using the original Pitcairn factory drawings. In the spring of 1985 "Miss Champion" flew again.
  The Bell 47G: A Flying Lesson
  Since Pitcairn's Autogiro, improved control systems allow the airframe to rise directly from the ground with a powered rotor. Straight Up! puts you in the pilot's seat of a Bell 47G as the basic elements of helicopter operation are demonstrated. The Bell 47G's single-rotor configuration is by far the most common type used today. Your flying lesson begins.
  As a helicopter pilot, the pilot uses all four limbs to fly, all at the same time! With the left hand holding the collective pitch control lever, he pulls up ever so slightly, and we go straight up into a slow-motion hover. The spinning rotor blades act as small wings, but they spin so fast that they create one continuous disc of lift. When the blades change angle, or pitch collectively, the helicopter rises or falls. The pilot's right hand always holds the cyclic control, effectively tilting the whirling disc above. Point left, tilt left. Point right, tilt right. The camera then closes in on the tail rotor. Once again, the altering of the blades affects direction. The chopper spins in response to the pilot's depressing one of the two foot pedals. If he depresses the second pedal, the helicopter spins in the opposite direction.
  The Piasecki H-21B Tandem Rotor Aircraft, "The Flying Banana"
  The last flying H-21B helicopter in the world takes off, heads for the beach and cruises 100 feet above the Pacific surf off the coast of California. One of the earliest tandem helicopters, the H-21B represents the birth of the heavy lift helicopters and dates back to the early 1950s. Nicknamed "The Flying Banana" for its shape, the H-21B had more power and greater stability than previous helicopters. The tandem-rotor H-21B carries two sets of wooden blades situated nearly 50 feet apart but operated by one set of helicopter flight controls. The pilot must be ever vigilant, as this helicopter could rapidly invert should the pilot let go of the controls.
  The vintage H-21B used for the film was decommissioned from the U.S. Air Force in 1972 and was restored by the California-based Classic Rotors: The Rare and Vintage Rotocraft Museum. This nonprofit museum and restoration facility, dedicated to the preservation of unique, vintage and rare rotorcraft, spent more than 10,000 hours returning the H-21B to airworthiness. Every hour flown requires 100 hours of maintenance. Classic Rotors is the only museum of its kind to maintain eight helicopters in flying condition. When its new facility in San Diego has been completed, the museum will expand its exhibits from 15 to 30 vintage rotorcraft.
  One of the highlights of its collection is a famous relative of the H-21B. This is a V 44 (the commercial version of the H-21)-nicknamed "The Holy One"-and is the only one to land at the Vatican and be blessed by the pope. While on a 1959 demonstration tour in Europe, the helicopter and its crew had provided help to Italian communities following a devastating earthquake.
  Future Helicopter Designs
  One aspect of current research centers around the development of "quiet technology" that will allow helicopters to become better neighbors and to operate more stealthily in police and military operations.
  Quiet technology advances rely on a combination of technologies, which include improved rotor blade design and the user of rotor systems with four or more blades. Replacing the tail rotor with a Coanda-effect NOTAR (NoTailRotor) system goes a long way in reducing noise, as does shrouding the tail rotor in an arrangement know as a "fan-in-fin." Other advances focus on noise-dampening air inlets and improved engine nozzles.
  New helicopter designs are tested in the world's largest wind tunnel at the NASA Ames Flight Research Center located at Moffett Field in California. Ames was founded in 1939 as an aircraft research laboratory of the National Advisory Committee for Aeronautics, which became part of the National Aeronautics and Space Administration (NASA) in 1958. NASA has the leading role in aerospace operations systems, which include air traffic control, flight effects on humans, and rotorcraft technology. NASA Ames scientists and engineers study robotic helicopters, high-speed hybrids, and advances in quiet technology. The center also has major responsibilities for the creation of design and development tools and for wind tunnel testing.
  The NASA-Bell XV-15 Tilt-rotor
  In the film, an XV-15 converts over Dallas-Fort Worth Airport. The XV-15 is an experimental rotorcraft, the parent of a new family of aircraft called "tilt-rotors." The tilt-rotor combines the hovering ability of the helicopter with the speed of a fixed-wing aircraft. The XV-15 can take off and land like a helicopter. The audience will see the engines tilting forward as the tilt-rotor becomes a high-speed plane.
  The Bell-Boeing V-22 Osprey
  A V-22 Osprey unwraps, emerging like a prehistoric flying dinosaur. Built primarily for the U.S. Marines, Air Force, and Navy, the V-22 Osprey has wings that pivot and rotors that fold to facilitate its storage at sea. In less than 90 seconds, you will see the V-22 complete this process. Although still classified as a tilt-rotor, it is faster, with three times the range and more than ten times the payload of its predecessor. It shows the promise of long-distance travel, without airports.
  The Hawk 4 Gyroplane
  Rotorcraft evolution is also in the hands of the entrepreneur, and this independent spirit is most evident in the Hawk 4 Gyroplane. While some designs produce groundbreaking changes, this aircraft brought the economy and safety of the Autogiro into the space age. A rotor is used for slow-speed flight, but at high-speed cruising all the lift is provided by the wing while the rotor has no lift. The Gyroplane shows promise as a high-speed, low-disc-loading rotorcraft.
  The Boeing-Sikorsky RAH-66 Comanche
  The Comanche rips and dips across the screen, set against a sunset. This prototype helicopter has stealth technology. It's smart, agile, fast and invisible to radar. It's the first helicopter to provide real-time digital data to headquarters. Seeing in the dark, sensing the forces at play around us and acting on the evidence in real time, the Comanche is a complex flying machine with a human being at its heart. Everyday, in unexpected ways, it extends our powers and puts us to work with a revolutionary tool.
  The Comanche is the central element of the U.S. Army's future Objective Force. In addition to its complement of missiles and 20-mm cannon, the aircraft carries state-of-the-art sensors and avionics to provide battlefield commanders with so much accurate information about enemy movements. This knowledge will translate into more precise targeting, increasing the effectiveness of friendly forces beyond current capabilities.
  The U.S. Army has defined a requirement of more than 1,200 Comanches for the Objective Force. The RAH Comanche, the army's 21st-century combat helicopter is being developed by the U.S. Army and a team of leading aerospace companies headed by the Boeing Company and Sikorsky Aircraft Corporation, a unit of United Technologies Corporation.
  The Sikorsky UH-60 Black Hawk and AS 350 B2 AStar Enforce the Law
  Events swiftly unfold as the radar plane spots an "unidentified" Cessna dropping bundles of drugs off the coast of Miami at dawn. A signal alerts the Marine and Air Branch of U.S. Customs who speed out to intercept the smugglers. Just as the drugs are transferred from boat to van, The AStar helicopter bursts over the treetops, deploying a tactical team to arrest the driver. While the smuggler's Cigarette boat attempts to escape, a Black Hawk helicopter dips down to create a giant backwash. In a stunning display of impeccable teamwork, this action forces the fleeing boat to swerve to a halt as a Customs boat cuts it off and apprehends the criminals.
  On a typical day, the U.S. Customs Service examines 1.3 million passengers, 2,642 aircraft, 50,889 trucks/containers, 355,004 other vehicles, 588 vessels, 64,923 entries and undertakes the following enforcement actions: 64 arrests, 107 narcotic seizures, 223 other seizures, 9 currency seizures. These amount to 5,059 pounds of narcotics, $443,907 in currency, $228,803 in conveyances, $525,791 in merchandise and more than $15,800 in arms and ammunition.
  Filmed over a period of five days off the coast of Miami, the air, land, and sea drug bust was staged by the U.S. Customs Service, which relies heavily on helicopters during such operations.
  U.S. Customs pilot, Tom Stanton, participated in the shoot with his co-pilot Kimberly Kessel. Kessel is one of seven women U.S. Customs pilots and only one of two qualified to fly Black Hawks. Both pilots volunteered to work with the film crew. Says Kessel, a graduate of Embry-Riddle Aeronautical University, "They were phenomenal, ready to try anything."
  In addition to daytime flights, Stanton flies the riskier night missions. "Flying at night is dangerous as you lose all perception of what's up or down because both the sky and ocean are black, so they just kind of run in together. There's no horizon on those dark nights," says the veteran pilot.
  Typically he flies from 300 to 500 feet above the water at 120 to 150 knots. "Not many people fly that low, even in the daytime," says Stanton. "There's no autopilot, so it's hands on. Plus you're chasing someone. You have to be aware. It can get tense out there."
  Stanton describes an air chase: "Once there's a target, we launch a jet with radar. The jet pilot calls the helicopter out and we link up, flying in formation. We follow the bad guy wherever he goes. If he has extended-range fuel tanks, we leapfrog and send another helicopter out to take up the chase. (The Black Hawk carries five hours of fuel.) When he gets into his landing configuration, we call the local police or sheriff to help us out." The Black Hawk, which can carry up to 14 people, typically carries 4 or 5 armed personnel, "so we instantly have a force of police officers there to get the bad guys."
  "If it's a boat, we have Cigarette boats like the smugglers. We'll call our boat and have it intercept." Stanton flies the Black Hawk next to the boat, making it hard for the smugglers to navigate. "It intimidates them into giving up. Sometimes they do [but] sometimes we chase them for hours. Or we'll follow them into a marina and block them until our boats come. If they hit the beach, we'll call the state police or sheriff, and they set up a perimeter so the guy can't get out."
  Stanton, who flies missions as often as once or twice a week, has been flying for 26 years, 13 of those as an army helicopter pilot before he joined U.S. Customs in Miami where he is the "standardization instructor pilot." He makes sure that everybody flies the same way, so that when they team up, the pilots easily work in tandem. Pilots fly 8-hour shifts and the operation goes on 24 hours a day, 7 days a week in areas covering both the Canadian and Mexican land borders, the Atlantic and Pacific coastlines, and the Gulf of Mexico.
  The MD 500E Helicopter
  A MD 500 helicopter hovers directly above 500,000-volt power lines. As it inches closer, a lightning bolt suddenly zaps out from the hot line, arcing toward the wand extended by a lineman perched on an aluminum platform that juts out from the helicopter. The "hot-line-qualified" lineman clamps onto the power lines, and helicopter backs off, leaving him to "wire walk," crawling along parallel lines to inspect the PPL power line grid, 100 feet off the ground. To reboard the helicopter, the lineman must "bond off," reversing the procedure.
  "I don't give two hoots and a holler about flying inside a helicopter. Put me outside, that's where I want to be," says Daniel "Spider" Lockhart, AgRotors lineman. There's only three things I've been afraid of most of my life: One was electricity, one was heights and the other was women. And, I'm married too," he grins. "The safest lineman is one that is afraid of electricity. When we bond to the power lines energized at half-a-million volts, we have to bring ourselves to the same potential. That is why you see that arc jumping out to our wand as we make both the helicopter and the power line at the same potential, so that we can eliminate the flow of current," explains the veteran lineman.
  Spider wears a protective hot suit, 75 percent Nomex for fire retardation and 25 percent stainless steel thread. "The metal thread basically means I have a cage around me that can be energized at very high voltage levels. A half-million volts pass over my body, but I can work without interference from the electricity."
  He continues, "Watching that electricity jump out while you're energizing the helicopter is a thrill. Getting on the wire, walking the wire to do repairs is a thrill. The biggest thrill I get is from doing what I do is being able to do both together-the electrical part and the helicopter part of it, the speed at which we can do it and still be safe. There are so many things that the helicopter enables us to do as linemen, which is very rewarding."
  The teamwork of the skilled helicopter pilots and highly trained linemen ensure that the PPL Corp. provides a constant source of electricity to its 1.3 million customers in Pennsylvania (in addition to 4.4 million in Latin America and Europe). To maintain the integrity of the transmission system to residential and commercial establishments, and to ensure the safety of the operation, the team plans and rehearses every move while on the ground before takeoff. Even so, unanticipated gusts of wind and glare from the wires can affect the pilot's depth perception, requiring total concentration during his hours at the controls. As the helicopter is isolated from the ground, the pilot and lineman, clad in protective stainless steel suits, must bond onto the transmission lines to bring themselves to the same voltage potential of the line to work safely-paralleling what a bird does when it sits on a wire.
  Probably the most unusual place that the director rigged the camera was on the end of the platform on the MD 500, which is designed to carry the lineman as he bonds onto the half-million-volt power line. "We took away the lineman and put the camera in his place; the lineman rode behind the camera and used his wand to draw the arc of electricity right onto the camera lens. I don't think it's been done before. It blew all the electronics out of the camera a couple of times before we figured out how to do it," recalls Douglas.
  The Boeing 234 Helicopter: Helilogging with Limited Environmental Damage
  Floating above the forest in northern California, a 12-ton Boeing 234 helicopter selects its target with precision. Selective logging is a process where only a portion of the available timber is removed from a logging site. A single tree is lifted straight up from the forest floor, leaving the rest of the area environmentally intact. Removing such timber-very often trees that are already dead or diseased-allows the remaining trees to thrive on the additional resources of sunlight, water, and soil nutrients. Helilogging is environmentally friendly in other ways as well. First, since the logs are lifted from the ground, little soil erosion, typical of conventional logging methods, occurs. Second, in many cases the helicopter is able to use existing roads for landings, meaning no new roads need to be built into the area being logged.
  Columbia Helicopters cuts more logs each year than any other helicopter logging company. To prepare the timber for the helicopter, the specially trained logging crew cut it into carefully weighed sections. Columbia's flight crews are among the most experienced at long-line work in the world. With speed and precision, they are able to move heavy loads of logs at the end of lines up to 350-feet long. Once the line is lowered from the Boeing 234 helicopter, steel tongs clamp the log and the entire tree is removed without disturbing the balance of nature. "It's kinda like lookin' down 25 stories and picking up a telephone pole," comments the helicopter pilot, Dave Stroupe, who deposits the timber at a nearby transfer yard. "The unique thing about this helicopter is that, when we take off from the ground, we weigh approximately 22,000 pounds. And we're rigged for about 26,000 pounds when we get low on fuel. So the load actually weighs more than the helicopter. It's exciting and harrowing all at the same time."
  The Boeing 234s have a lift capacity of 28,000 lb, (12,727 kg), but most often carry loads between 23,000 lb, (10,454 kg) to 24,000 lb (10,909 kg) due to elevation and air temperature considerations. The company trains loggers to work with helicopters because load weight is such a dramatic part of what they do. Weight is determined, using a formula, which are a function of the volume and the type of wood. Different tree species have different weights per volume.
  When one of the pilots suggested using the log as a platform for the camera, Douglas realized another exciting camera angle. The possibility existed that the branches could scrape off the camera as the log was hauled up. Douglas prevented this by placing the camera inside a heavy steel avalanche box, which he anchored on the end of a big log. Once the log was grappled, the helicopter hauled the protected camera right through the branches, giving the audience a breathtaking view from the perspective of the log! The U.S. Marine Corps AV-8B Harrier, AH-1W Cobra, CH-53E Super Stallion and CH-46E Sea Knight on a Military Mission
  An AV-8B Harrier jet demonstrates its vertical landing ability followed by a force reconnaissance inservice exercise from an aircraft carrier, as Marines climb aboard the CH-53E. AH-1W Cobras and Harriers form an assault-support package, as the reconnaissance team sets out on a mission to obtain invaluable intelligence about the enemy.
  Inside the CH-53E, the machine-gunner is at the ready as a Cobra fires three rockets. The action heats up as the IMAX camera captures the Marines fast-roping through the "hell hole" and sliding down a rope dangling from the CH-53E, landing in enemy territory. The leader of the reconnaissance team says, "By the time you get to touch rope in a live situation, you and your men feel tighter than family. Your fates are tied like the strands of a rope."
  Two hours later the Marines have completed their mission and are ready to be evacuated. Now the enemy hunts them on the ground. Trees shake as the rescue CH-53E helicopter hovers overhead, lowering a rope to the squad, now up to their waists in water. One after the other, in a matter of seconds, the men clip themselves onto the rope. "Extraction, even more than insertion, is when you need speed. You've been awful quiet. Suddenly, you're awful loud," says Sgt. James Kenneke, the squad leader. He's first in and last out. Lifted up, like washing on a line, the squad dangles beneath the helicopter as it is escorted by Cobras, out over the Atlantic.
  "It's a relief to get out. But there's that moment of doubt. Everything slows down while you're exposed � holding your breath for that happy ending. And when you get it, you feel on top of the world. Of course, then we've got to commute home just like everybody else," smiles Kennecke.
  The Mi-26 and Mi-8 Deliver Humanitarian Aid
  Sometimes, something very precious must be delivered behind enemy lines-food. Sierra Leone is a nation that has suffered years of conflict. From the food depot to the hot spot, helicopters provide an air bridge. Hoisting food and medical supplies to distressed people behind rebel-held territories, they have the ability to hop over hot zones in desperate situations.
  The world's largest production helicopter-the Russian-made Mi-26-is the workhorse for the United Nations (UN) peacekeeping operation in war-torn Sierra Leone. The heaviest production helicopter in the world, this majestic eight-bladed craft-one of four chartered by the UN from Russia-can carry a maximum of 44,090 lb (20,040 kg) of internal payload or up to 70 troops. The Mi-26's top speed is 183 mph (295 kph) and it has a range of 304 miles (400 km).
  In this sequence, the Mi-26 is loaded with cargo to supply UN troops protecting an isolated community in the center of rebel-held territory. The world's largest food agency, the UN World Food Program (WFP), organized a massive air campaign targeting internally displaced persons that had congregated near a clinic for malnourished children. Once rebels from the Revolutionary United Front (RUF) had surrounded the area and blocked road access, the WFP was prevented from completing a bulk distribution. Instead, they loaded up their Mi-8 and flew to the Daru clinic where the most vulnerable women and children were located.
  "All children under five who are malnourished are given a special feeding program in Daru. And the under-five are always the first ones you target for any kind of extreme malnourished cases, because they die very quickly," says Aya Shneerson, program officer for the WFP. "Daru is a kind of an island, a safe island, surrounded by areas that are unsafe," she says, "and for that reason, it always served as a sort of magnet for the very vulnerable people coming out."
  Another big WFP operation, Food for Peace, gives food to child ex-combatants, in an effort to attract them to disarmament and demobilization camps.
  The heavily laden craft flew out of the capital city, Freetown, situated on the west coast of Africa between Guinea on the north and Liberia on the south. The WFP supervises a variety of feeding programs in the displacement camps, feeding 5,000 in an operation that targeted Bunbuna, Kabala and Daru in 2000.
  Throughout the world, helicopters have saved millions of human lives. There are 777 million people in developing countries, according to the WFP. In 2001 the WFP fed 77 million hungry people (10 percent of the hungry poor) in 82 countries.
  Diamonds, which should have brought prosperity to Sierra Leone, instead resulted in one of the modern world's most brutal insurgencies, dating back to 1991 when rebels launched a war to overthrow the government. In the ensuing years, continuous battles between the various factions-rebels, the army and the government-displaced tens of thousands of innocent civilians, resulting in hunger and famine. In 1998 UN observers documented reports of ongoing atrocities and human rights abuses. In 1999 negotiations began between the government and the rebels, and an agreement was signed in Lome to end hostilities and form a government of national unity. By 2000, the UN's expanded role resulted in the deployment of 17,500 military peacekeeping personnel to various parts of the country. Free elections in May 2002 have given hope and a fresh started in Sierra Leone.
  The AS 350 B2 and AS 350 B3 Used for Wildlife Relocation
  In South Africa, helicopters are helping to save the black rhino from extinction. Protected in a few remote preserves, their numbers are rising. However, should the rhinos feel overcrowded, they will fight to the death. To protect the species, some must be relocated to safe habitats, but this is easier said than done.
  A platform dangles from a helicopter overhead. Inside another helicopter, flying low over the South African veldt, a man with a rifle takes aim at a black rhinoceros, dodging through the bushes below. The pilot concentrates on flying 5 feet above and 10 to15 feet behind the rhino. Anticipating its every move, a wildlife veterinarian pulls the trigger of his gun loaded with a tranquilizer dart, scoring a direct hit that successfully penetrates the rhino's inch-thick skin.
  "When I am darting animals like the black rhino, there is this immense trust between myself and Piet, the pilot," says wildlife veterinarian, Dr. Douw Grobler, who specializes in immunizations and translocations. "I know exactly what he's going to do and where he's going to place me. I don't have to think. I can just concentrate on the animals. I just know he's gong to put me there in the right spot at the right time. It's almost that he senses what the animal's going to do. In that way, he can change the animal's mind with his helicopter."
  Grobler has measured a specific drug dosage, which can keep a rhino asleep for up to two hours. Once the rhino is darted, the ground crew lands as soon as possible to undertake a multitude of tasks. They monitor the beast's vital signs, take skin and blood samples to study its basic health and to detect any nutrients that are lacking. This ensures that the habitat is healthy for long-term propagation. They also conduct pregnancy testing. Each rhino's ear is notched so that it can be identified easily from the air and ground. The tip of the second horn is removed to provide material for genetic research, and a transmitter is fitted into the rhino's horn for tracking its whereabouts. Poachers present a constant danger to the rhinos' security. Should a poacher remove the horn for export, the transmitter would trigger an alarm.
  When two males inhabit the same territory, one must be relocated before they battle to the death. Placing a sling in position, the crew rolls the rhino aboard the platform, making sure it is fully asleep. With a lifting capability of 3,500 lb (1,590 kg), the AStar B 3 can relocate the 2,250-lb (1022-kg) rhino to an area of the sanctuary that is accessible only by helicopter.
  The extensive research on eleven black rhinos acquired during the four-day shoot was made possible only through SK Film's financial contribution. "My field of expertise lies in the capture and relocation of African wildlife. I am extremely grateful to Straight Up! for sponsoring this incredibly important research and relocation program at the game park. Without the film, this research would not have happened," says Grobler, who organized the capture, research and relocation project, with the film's production crew. "Every animal is just so valuable," he says, "and any information that can be collected on them is worth its weight in gold."
  The prehistoric ancestor of today's rhinos existed more than 50 million years ago. Among today's five rhino species, the black rhino, which has two horns, has suffered the most spectacular rate of decline. From a population of 65,000 in 1970 it had been hunted almost to extinction, declining to a population of 2,300 by 1992-93. Current statistics indicate that the African black rhino population has risen to 3,500 as a result of the protection of nature reserves, developed by conservancy groups, agencies and governments to facilitate breeding and relocation programs.
  This segment of Straight Up! was filmed in one such reserve in South Africa, where black rhinos had been reintroduced in 1986. The helicopter, an irreplaceable co

评论:

  • 行丹烟 2小时前 :

    很重复,111分钟里人物塑造、人物关系和人物内心都没有任何推进。皇室和黛安娜之间关系,也只是展现了很刻板、很简单的对立。中间有一段似乎要往心理惊悚的方向发展,又戛然而止。安妮·博林的鬼魂如同阁楼上的疯女人,又没有好好利用这个设定。整部电影除了华衣美服,就是单调又泛滥的情绪,和无处不在的BGM,美丽而空洞。真的,还不如《王冠》对黛安娜的描写来得好。K很美就是了。

  • 青香蝶 8小时前 :

    此前迟迟没太有观影冲动,想着后面要是提名获得奥斯卡奖最佳女主角再来观看,结果还真提名了,现在总算是完成“任务”了。个人观感与《第一夫人》差不多,比前两部看的《古驰家族》《塔米·菲的眼睛》好一些。

  • 衡凯安 7小时前 :

    斯宾塞之外,感受理解到更多的反倒是KS自己从内而发的情绪。

  • 琛茜 0小时前 :

    冬冬那段打戏是强行给自己加的吗哈哈哈哈 包哥还是那么搞笑!

  • 郭承安 9小时前 :

    视听形式和《困在时间里的父亲》类似,通过虚实混淆的画面和激烈的古典弦乐交织渲染,具像化主人公痛苦焦虑的内心世界。多处远景和平视镜头追求工整对称;厨房一整条情节线的设置;餐前的体重秤、必须紧闭的窗帘、层层裙装、珍珠项链等意象,从内到外隐喻君主制这一华美牢笼。直接的视听震撼,夸张所以动人,不正是电影的长处吗?谁不知道真实的戴妃肯定不会表现得这么“夸张”啊,要看人物的“真实状态”(不过是被压抑着的表面状态)你直接去看纪录片史料吧。KS的整体表现不错的,餐桌吞珍珠那场表演尤其触动到我。玛姬这一人物的设置是唯一的暖色了,’Diana,the shocked’和’Spencer’同样寓意着解放和希望,至少在这一情节、这一时刻。

  • 琪璐 8小时前 :

    这部片的观感完全取决于你有多熟悉戴妃与你有多喜欢小kk,如果很熟悉戴妃且不喜欢小kk,这部片可以考虑pass,反之这部片必看,因为导演摄影太会抓小kk的颜了。这部电影其他奖我不好说,但妆发必须得有提名,小kk能看起来像戴妃,九成得感谢妆发老师们的努力,他们的妙手之下能让静止画面中的小kk有几分戴妃神韵,可惜小kk的仪态太差了,她只要一动,LA大妞就要从这层王妃皮里跳出来了,加上小kk真的不会演弱势的人,她的眼神太闪了,在大特写捕捉下,展现的不是柔或者弱,而是虚。所幸的是,这种不适集中在前半,如果忽视后期剧情降智,表演还可以。这部电影很有导演前作Jackie的感觉,但对戴妃的描写,我并不认可,那个时间点的戴妃已经不是影片想塑造的状态了,整个剧情更像是浓缩她这十年婚姻走过的心路历程,但做的太肤浅

  • 许鸿羲 9小时前 :

    今年看的比较好看的国产电影,就是邵庄说话的音调还没有习惯

  • 禚阳舒 6小时前 :

    我很惊讶,像我这样的矫情逼都觉得KS的处理太矫情了,竟然短评里都是夸奖…幸亏长评还能见到不少批评的声音。KS一如所有爆红后试图证明自己演艺能力的明星一般,拼命重复自己表现某种情绪的过程,而具体方式就是不断耸起肩膀靠近脸颊…没了肩膀则演艺事业直接结束。前半段关于情绪表达不畅的错误表现方向延伸到后半段就进化成整个故事的矫情,查尔斯、女王、管家都开始说人话了,戴妃一句人话不听,情绪还在往上堆,观众的共情就完全跟不上了——最终就感觉她确实难受了但是所有「别人不让你做所以你忍得很难受」的事她全都做了。这变成作了呀。

  • 瑞语彤 6小时前 :

    诡异又扑朔迷离的同人文,为了传递情绪把其它都变得不重要,全程我都觉得是小k在演一个去参加了一个化装舞会的女高中生,她自己很兴奋,但她就不是她。除了缩脖子这种不节制的动作之外,腔调也十分套路模板化,另外剧作又常常有意无意的提醒这是戴安娜的故事,令我十分不舒服。我只能说,如果戴安娜真的是这样,就不奇怪为什么皇室都嫌她了。整部电影里桌球桌前一场戏还不错,有台词的填充,有一个利害的施力者(反例是莎莉霍金斯自然无形的表演打得小K落花流水),让这个聊天变得好看且有意义。这部电影也是那种到处坐下来与人聊天的电影,但是没有真正的对环境加以表达与选择,从衣食住行着手,细节并不丰富,只有角色围绕这个话题的谈论,如此以来状态的表达就很贫瘠,最后那一段舞蹈合集看着和抖音合集一样。

  • 运星鹏 3小时前 :

    不知道历史上真实故事是咋样,但看得出来皇室生活和丈夫的出轨让斯宾塞被压迫的踹不过气,在艰难的反抗……斯图尔特的演技在肉眼可见的成长

  • 赫连嘉歆 4小时前 :

    想要迷路,不愿上秤,稻草衣装,窗帘缝合,童年鬼屋,野马寓言……媳妇到亲家过年的痛苦是个国际性问题。莎莉·霍金斯真甜到家了,跟《水形物语》冷战水怪谈个恋爱完全可以,跟戴安娜王妃百合告白也够浪漫。克里斯汀·斯图尔特还是演得有点太用力,没有娜塔莉·波特曼演的肯尼迪夫人那么多层次。导演帕布罗·拉雷恩这国际名媛系列,要是拍成三部曲,第三位会选谁?我提议拍《Peng》: )

  • 露洁 9小时前 :

    前半小时期待值并不高,以为不过另一部典雅精巧的标准英片。但其后无休无止的音乐,古典爵士流行乐;眼花缭乱的服饰,羽纱绸缎珍珠链,让人开始明白,连看似精美的电影制作也可能是隐喻的一部分。在这里,形式成为隐喻,层出不穷的形式美只为营造出一种让人透不过气的包裹感。在一个永远只有「现在」一种时态的庄园里,过去与未来都成了具象的幽灵;任何妄图接触他们的人,最终只能与他们相伴。

  • 林晨涛 6小时前 :

    作为传记电影来说剧情显得很片段,仅仅几天的时间跨度也没法很好描绘这个复杂角色。戴安娜的悲剧无疑是源自英国王室,但电影中对于英国王室实在太给面子了,只是整了一些一语双关的台词和情节内涵一下,这还不如去看一些纪录片

  • 玉梅 8小时前 :

    不如彻底一点,做成Mother!那样的惊悚片。/指匠情挑之后,Sally Hawkins又爱女人了,Hooray!

  • 雪锦 3小时前 :

    帕布罗·拉雷恩拍权势女性怕是拍出思维定势来了,总是喜欢把人物压入某种短时间的特殊情境里,且有种挥之不去的自鸣得意感,自以为找到了最刁钻深入的叙事角度。在毫无前史铺垫的情况下,戴安娜一上来就是濒临崩溃的状态,小K神经质的表演经特写的放大始终显得古怪,闪回或是跟Anne Boleyn的类比也无法让观众与之共情。诚然,随着叙述的推进,我们可以了解王妃身处的环境,但完全无法扭转第一印象的腻烦。

  • 采帛 4小时前 :

    我实在是对小K喜欢不起来,演什么都是小K,皱眉耸肩,尤其是嘴部很多细微的表情,我总觉得表演痕迹好重,感觉很局促,让我坐立不安,我看到了小K你确有在努力。整个片是个Chanel服装大展,美是美得很!结尾从皇室逃出来吃KFC太喜感了!

  • 韩朋兴 1小时前 :

    比预想得好,可能是因为我完全看进去了,不是作为戴安娜的传记片,而是作为一个情感充沛的关于历史的女性的故事。一些非常明确的象征物:(死)鸟、草人、珍珠项链(项圈)、食物,当戴安娜在桑德灵厄姆中疾走(逃,却无处可逃),这座大房子就变成了《闪灵》中的瞭望酒店(摄影有种熟悉感,原来是《烧女图》《大西洋》的摄影,性别女)。虽然最后似乎结束在一个上行的音符里,但女人自古以死来开启新时代:安波琳的鬼魂从不只是作为殉道者的女性,更是作为先驱的女性,安波琳的死与英国宗教改革之间的千丝万缕,在这个年代便有戴安娜来继承。绿木用弦乐组代表皇室的樊笼,用爵士代表戴安娜渴求飞扬的自我,前者游走在端庄与刺耳的边界,后者则轻快、富于变幻,个人认为优于他为《犬之力》的创作。

  • 海骊蓉 3小时前 :

    跟看预告片同样的感受,唉。如果说哈里称得上“叛国”,这个片子里的小K和其他美国符号,则是又一波英国的“被殖民”。尽管很美,但小K真的不是戴安娜,有几个镜头倒是魂穿了黄金时代的好莱坞女星,同样压抑的那些。怀念演员为得奥斯卡演传记片下大功夫的年代。摄影特写铺满、古典音乐铺满、Chanel铺满,还莫名有种路易十四的味道。感觉拉雷因的品味有点儿问题。从《第一夫人》也看出,他好像不太懂女人,也不太会选女演员。他片中的女性主角更像是他对女性的幻想(不是性幻想)。还有那些幼稚的重复隐喻镜头。唉!

  • 琛天 6小时前 :

    像新浪潮,让人想到《随心所欲》和安娜·卡里娜,情绪化的身姿,孩子气一般随遇而安,空无一人的布景,结合上跳接和大头像特写,很是抽象和形而上。不同于典型的年代剧,而是借题发挥,琢磨现代人不得不作为“工具”的困境。电影没有刻意渲染物质文明的腐臭,反之自然也并不总意味着包容和治愈,人到头来只能活在不断地自我调适中,在看似幼稚天真的外壳下,导演有意无意间抒发的情感深沉而复杂。

  • 梦雪 1小时前 :

    毛骗的团队 几条线的矛盾纠葛交织 有疯狂的石头+疯狂的赛车的意思 但剧情设计没有惊喜 只有一句包哥牛逼

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