Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
当反派成了万磁王暴风女和镭射眼的集合体，且cue了x教授也不能让我止困。打斗又臭又长，拖沓得我想骂娘，不过也还算是能看，小狐狸好可爱啊！
剧情不雷也不尬
全片娱乐性很强，可以说是一部纯粹的爆米花电影，极具合家欢气质。
第二部整体质量和1持平，故事淡如白开水：索尼克和两个新角色，以及回归的蛋头博士，一起争夺拥有无穷力量的翡翠钻石。从头到尾都是些陈词滥调，笑话不好笑，设计无惊喜，特效中规中矩，观看过程有时甚至会很沉闷。硬要说的话：金凯瑞的某些表演时刻仍是亮点；蛋头博士的巨型战甲挺有趣
一部比较不错的娱乐电影。
《超级赛亚人索尼克》
当在响起卢冠廷之歌声，青春已逝，而你还是我一生所爱！
5分
索尼克2出来，1说什么故事已经忘掉了。这些游戏IP改编电影的结果都跑不脱合家欢，大概因为游戏IP的定位比较低龄吧。
有一说一，经典IP关联的网大能拍成这样可以了，至少不是粗制滥造，女主演的紫霞没什么问题，很符合也很漂亮（朱茵依旧是永远的紫霞），然后再看一眼达叔。
❓没有大话西游的韵味，只有网大怪兽片的土气
官方很贴心 只需要看结尾2分钟像素和1分钟彩蛋就可以了 不是吗
金凯瑞的蛋头博士真的carry全场，从表演还是神态，都能看出搞笑人的担当。
比第一作特效用的更多，新出场角色也非常符合游戏形象，而第二部更多的是更像一部CG电影，因为人类角色，除了蛋头博士，已经变得比较次要，起码，这点上面我还是比较接受的！
在很短的时间里讲述了一个非常合情合理，有充满喜剧张力的故事，看得出来下功夫了。特效和演员的演技都不拉跨，看得出来团队是真的很良心，有在认真做作品。
整部电影也是按照游戏电影化去发展的，无论雪山逃生，深海神庙，都极有游戏风采，起码对游戏D很是亲切。
最近看blockbuster看少了看这部觉得很尬 但也想通过这部讨论一下白男演员的生存空间 james marsden之前是和alexander scarsgard演稻草狗的 现在只能在这种和跳跳兔里打打酱油 感慨一下白男没啥特色演员花期太短了 照样无聊 原声甚至没第一部好 睡得很香/AMC Newport center
网剧里的搞水准，还不够高！进电影院及格都难！！
索尼克被削的太弱了吧，它不是这个宇宙设定速度最快的生物吗，居然逃跑要开车！靠！
可圈可点，没那么尬，算不错了，来看达叔的，想他老人家了。
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