UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity.
Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police.
Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport.
The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted.
The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship.
After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
感谢汤姆汉克斯的角色死得早，他不死我要抓狂。
比起科幻片，更像是一部人文片
差不多两小时的电影，却感觉一下子就看完了，人狗情未了，这份情，还可以被机器人继承下去。看到最后的阳光蓝天白云，情绪被治愈了。不只狗狗，连机器人的演技都那么棒！借用狗狗的名字来许一个愿望：我希望，2022年是一个GoodYear❤️
温暖小清新式末日公路片，个人很喜欢，以及，Jeff可真是个可爱懂事能担起家庭重担的二胎呀。
虽然是披着末日科幻外皮的公路片，但汤姆汉克斯这种类型演员的片还是觉得看一部少一部。1080P 21/11/05
主人带着机器宠物离开了基地，坐在沙丘上等死。
与疫情斗得身心俱疲的我们太需要这样一部电影，温馨，感动，放缓情绪和节奏，来一次心灵的旅行~怀念那些单纯和美好。
非常不错的科幻公路电影，一人一狗一机器，狗狗演技很棒，机器人最终也变得像人懂得了爱，懂得了友谊，看着有他陪伴狗狗芬奇也就放心了。片尾曲好听
开头很像WALLE，Tom Hanks越看越适合接替Ian演甘道夫了😂
他不应该叫Jeff，他应该叫Sheldon。6
末世设定却不讲疯狂争抢资源，机器学习也不想未来是否失控，只讲同行三个“人”的故事。
一开始以为会很普通，因为感觉一切都像是末日大片，跨种族友情，蒸汽朋克的公路电影的缝合怪。但是怎么说呢，他烹饪的方式还是很让人舒服，主要塑造的是两个戏，外界的坏人是一个若隐若现的麦格芬，隐去的很巧妙。没办法，汤姆汉克斯看到蝴蝶的那一幕还是感动了，带两年了口罩已经强迫症洗手的我，无法不代入。
我们现在看印度电影，看韩国电影都陷入了一种下意识的“相对尺度”感叹，但是从“绝对尺度”上来讲，很多片子的质量是不行的，只是因为他们触碰的议题使得我们给出高分，这其实很令人感慨。这个电影铺满了音乐，每十分钟就安排慢镜头煽情，从任何角度去看都很陈旧。人们的共情共的都是电影之外的东西。
前阿甘教導阿甘機器人哈哈哈哈，stopping，initiative!後面口音倒是越來越自然了。finch是怎麼遭到輻射的？
我们都终将老去，唯一可以留给孩子的是教予一生的经验，和经历的故事。
机器人居然会做梦 拥抱还会主动钻到你怀里 乖乖坐好等着听主人讲故事 人性的延伸太好了
谁能顶得住机器人的温情啊。
设定和场景真的太fallout了吧！另外，是因为苹果投资的所以加州还没事？
应该拍成《爱，死亡，机器人》的某一集，搞成真人长片，着实有点浪费资源了。
看似很简单的故事，却又那么长。末日，一个老人、一个机器人和一条狗，荒凉、绝望。我很好奇为什么芬奇造出一个机器人只为了在自己死后能照顾一条狗，慢慢的我才发现，当世界一无所有只剩下可怕的荒漠和辐射的时候，能有一个活生生的生命，是多么奇迹的馈赠。孤独，孤独，还是孤独。当芬奇被火化后，杰夫和小狗也最终达成了和解，走完剩下的路，因为，他们只有他们了。我不知道未来是什么样子，但我无法忍受孤独，如果必定会是消亡，那请将温柔和希望延续。
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