Alex de Renzy (FEMMES DE SADE, PRETTY PEACHES) was one of the greatest directors of adult films ever, his career starting in the late 60's and preceeding well into the 90's. So saying that BABY FACE, stands as his crowning achievement is no small praise. This ranks as one skinflick that truly has it all, a complete storyline, fine production, and a couple of decent acting performances and some of the hottest sex scenes ever assembled in a single movie.
Big, lumbering Dan Roberts stars as the hapless construction worker who has to go into hiding following his seduction of underage but willing Priscilla (Lyn Cuddles Malone) which incurs the wrath of her religious fanatic of a man. After a near-fatal accident leaves him unconsciously drifting in the bay, he is saved by fan favorites Amber Hunt (FIONA ON FIRE) and Linda Wong (SWEET CAKES) who clean him up and then some. Hunt comes up with the brilliant idea of taking him to the Training Camp, a brothel catering exclusively for rich women and run by her aunt, affectionately referred to as the Champ.
This fancy cathouse provides the perfect backdrop for the movie's myriad sexual situations, nearly all of them handled with great style and enthusiasm by cast and filmmaker alike, shot through with a wickedly subversive humor. Standout scenes include gentle giant Roberts tender initiation of the eager Malone, their contrast in size providing an instant thrill all by itself, and the late great Kristine Heller taking on pretty much all the guys present in what has to stand as the single greatest gang bang sequence ever committed to film or video.
科幻观众觉得不够硬核，喜剧元素太儿戏；喜剧观众觉得后面剧情太拉胯，看完了没有被疗愈的感觉。最后估计就是个豆瓣6分片。
久违电影院，看这个值得。
总的来说像是演的幼儿动画片，更适合小朋友，对于成年人是降智片。
设计了非常多笑点，但很多地方我真的笑不出来，开心麻花的喜剧手法越来越急功近利了。
月球版夸父追日+太空版董存瑞炸碉堡
无聊的笑点，傻逼的剧情，平均五分钟低头看一次时间。。要不是朋友想看我早他妈的提前离场了。^_^
《独行月球》把科幻和开心麻花喜剧结合起来，让人有种别开生面的感觉。情节有趣，场景浪漫——你能想到，地球人给独孤月/沈腾亮灯，只为骂他一句“你不是人”？
月球，袋鼠，孤独的环月之旅，点亮地球的信号。这一切都很浪漫啊！宇宙永远浪漫！最关键还有作品的完整性和工业电影质感。能在这破烂日子里，银幕上看到这样的国产电影，感慨更多一层。
差点忘了，bgm都配的非常应景！大概得有十来个吧
外太空的莫扎特:把门锁上了。
不爱吃这一套。以杂糅但仍然公式的类型叙事投喂给观众陈旧的笑点、煽情的泪点、累赘的燃点，尽管以影厅里的反应来看它还是行之有效的。英雄形象可以轻易塑造也可以轻易推倒，因为主流话语只需输出英雄的概念即可，所以独孤月可以“为了他人放弃登舰”或“只是被遗落在月球”，但结局毫无疑问地要重复英雄叙事，其普通人之面目无非只是先抑后扬的形式，没劲。与当下现实勾连，牺牲了的不都是中间人吗，口号也喊得虚伪。最真实的是，对不相信某套叙事的人，说服你的方式就是让你消失。
全程泪流如注 金句频出
2.中国科幻
中国元素运用得非常合适，片头曲就是中文歌有点令人惊讶，里面有些笑点真的是看过后回想起来还会想笑的，而且从未见过填坑填得如此丝滑自然的动画片，观感太好了！
笑点密集，电影中穿插了两首中文歌，想不通这样的电影国内竟然审核不过，我真的会谢🥰
整部片子看起来的确没啥毛病，但仔细想想，在电影院确实全程都没把我逗笑。故事没什么奇思妙想，更像是有个流水线模板硬往里面套，后期剪辑也是那套麻花式的惯用风格，没吃过这套的观众倒是会挺喜欢的。也不是说不能弄个悲尾，但是这种碰巧得无与伦比的悲剧实在是见过太多了。袋鼠也很普通，月亮也很普通，陨石也很普通，什么都很普通。
这么说吧，光想到人类唯一的幸存者是沈腾就感觉很好笑
没看过原著漫画，真的很烂，笑点很低俗，很开心麻花的水平。沈腾和马丽意念感挺强的，这也能演。感觉借鉴了不少片子，蛮无聊，上海堡垒笑点增多版。
好消息是沈腾贡献了最富层次的一次表演，坏消息是成片的质量到底辜负了他。即便他以一己之力将小品升华成电影，但片中呈现的一切都是二手的，成了一件昂贵而蹩脚的A货。
3.各种“致敬”流浪地球不用说了，长眼睛都能看出来蹭的多努力
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