The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
“I love you，always have，and always will.”
即使把家人托付给另外一个“自己”，内心也会一定觉得肯定是哪里出错了的难以释怀。
命题很好但展开的太浅薄 人的情感太复杂了 以及科技都到了可以复制意识的程度却治不了绝症…我不理解
为什么没有生离死却那么让人心碎？
是很老的议题了，但是仍然好看，铺展得很细腻，演得也很有说服力
哇我的梦想就是整一个这种仿生人让我能没有任何心理负担的去死🙏
Moses Sumney + Frank Ocean Excellence
5. 死去便死去，至少做好告别。余下的，也只能渡过。
如果妻子是克隆人，还能感受到一丝温情。苹果定制片，苹果设计理念大赏。
The precision of its thesis
克隆人真的是解决离别更好的办法吗？我想应该不是。当日你是穷人得选项。
结尾always have always will带给人的无力感，实在是一种最佳的留白方式。
工整的科幻想象。too much man.
一种平稳的自我安慰的伤感情绪。用克隆人强设定，实际上还是通过搭建个人和家庭的关系，理性与情感的结构，拷问人性人情。选或者不选都挺让人难过，想到那句话说，我们供养着这具躯体，因为它保存着记忆。
从某种程度上来说，
软科幻背景下，没有多关注克隆的人伦道德，只专注了一个主题就是爱，设定比较老套，但感情还是实在的感受到了
new product launch
最大的bug是，都能出克隆人了不能把癌症治一治吗i
联想到某种中产消费形式的产品：精致、包装深刻前卫、形态姣好、名人背书，提出一种可能性但泛泛带过，缺乏真正的思想和想象力，甚至是客观真实的理性，能够动人的而不是陈词滥调的情感（开头那个hook up桥段我小学就在鸡汤书看过了
不适感会有 但故事还是理想化了 所以处理的很好 结尾真的很扎心啊……
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