剧情介绍

With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.                                    
                               Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.                                    
                               In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.                                    
                               Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”                                    
                               Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).                                    
                               Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”                                    
                               Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”

评论:

  • 琛锋 8小时前 :

    爱是最扭曲的诅咒 各个次角色都有露脸闪亮时刻 Mappa很努力在制作了 观众们看完竟然鼓掌了 UGC Les Halles 19/03/2022

  • 蔺颖然 6小时前 :

    打斗戏做得不错,马趴在改编上已经做到最好了,无奈剧本本身不太适合单独出剧场。虽说是没看过本篇的人也能看,但不知道故事背景的话,首先就是不太明白为什么本来一派正气的夏油要建立一个只有咒术师的世界,也同样不明白五条和夏油之间的恩怨纠葛。不知道咒术制约这个设定,就搞不懂乙骨最后怎么煽了一下情就开大了。这全片最期待的纯爱战神的画面冲击力没达到预期,稍微有点令人失望。

  • 曼云 2小时前 :

    剧本完整但老套。剧作中规中矩,后半程打斗精彩加大分。

  • 薇珍 1小时前 :

    果然还是滤镜太重……猪野宝贝一口一个七海桑快给我听心梗了……

  • 阎秋白 7小时前 :

    90分钟观感其实还不错,但仔细一想细思极恐。一个女孩子和一个男孩子相遇,11岁主动白给求婚跟他绑定自己的人生,然后6年之内彻底沦为男性的附属物,之后解脱竟是因为男性要自我牺牲,还说出“这六年比活着更开心”这种话。不知道漫画怎么样,但剧场版我看到的就是一个彻头彻尾的物化女孩,完全嗑不起来。

  • 童湘君 9小时前 :

    不知道是不是因为看的盗版效果不好,并没有看得很投入,也没有感动。。

  • 祁羽凡 0小时前 :

    真嗣重生之我在高专驱魔。打斗戏还是挺精彩的。

  • 裕星 1小时前 :

    马趴爸爸对夏油的恶意真的溢出来了哈哈哈 rika咒灵形态都莫名觉得萌可能是香菜的特有魅力

  • 狄芷烟 3小时前 :

    小杰!!小杰!!五夏!!五夏!!啊!你们的爱!!!😭

  • 轩运 8小时前 :

    纯爱战神乙骨优太,我就想知道夏油杰到底死没死

  • 水含巧 7小时前 :

    国内资源真的难等,看的录屏真的难受,rh事件意外的影响不大,看着也不至于太有负担。至于电影本身,我只能说作为剧场版远远优于某无限列车(当然不是指制作方面,这个方面只有海贼王会且能摆烂),不过里头EVA的味儿太冲,有端联想反而膈应,故事只能说普通(更TV还有漫画持平吧,严格点说可以归入俗套吧,毕竟完全没有出人意料的东西),可惜里香塑造失败,有点下头。

  • 钮心语 8小时前 :

    剧版的人物都露脸了

  • 赏涵涵 9小时前 :

    剧情比TV版好。不过忧太声优是绪方惠美就算了,为啥人设和音色都和EVA里真嗣一样,让人出戏以为真嗣下岗再就业来咒回炒羹了。

  • 肇盼晴 9小时前 :

    最后大决战全员出来亮相的时候 我真的哭死了

  • 闾觅柔 8小时前 :

    谁能不爱骨子哥和小里香,纯爱就是最强的,相比主番更喜欢骨子做主角的这个劲儿。好多熟悉的角色和道具登场,其实都是漫画里的刀子雨,谁能想到这会儿还是大家共同呵护的骨子,出国一趟回来高专的家都被偷完了,转眼间变成了全村最后的希望。主线角色四个人,最后三个都得到了救赎,只有最强的五条悟被困住了,最后的最后悟到底和杰说了什么,可能观众永远也不会知道答案,只希望骨子不让老师第二次杀死挚友的决心能够实现,关爱小动物人人有责,虐猫是不道德的。最后用一部电影剧透本作全部剧情:神奇动物在哪里。

  • 费烨煜 8小时前 :

    正常导演的话 你好歹稍微改一下定个电影主线吧 芥见下々画故事主线乱七八糟就算了那时候还是个新人漫画家 导演你也是新人导演吗?主线到底拍乙骨origin故事还是夏油杰个人传(五夏纪录片??!)选一个然后做到主线贯穿全片不难吧?画了这么多莫名其妙的原创剧情让一堆咒术原作角色出场打杂鱼(还tm插进最高潮)不能画几个镜头让主线明确一点吗?哪怕开头交代一下电影进行一半才突然出场的神秘反派到底叫啥是谁从哪来??

  • 第五怡然 8小时前 :

    作者看世界的方式很奇特,但我不认为犹太和里香的关系可以称之为爱,这点夏油说的不无道理

  • 殳以柳 2小时前 :

    解锁新电影院Neufahrn 五条颜粉真的好多 知道为什么叫纯爱战神了

  • 祁亚江 4小时前 :

    《人鬼情未了:纯爱的力量》 还有5t5摘下眼罩以后帅哥你谁我已经说累了

  • 渠惠丽 3小时前 :

    乙骨和真希没有CP感,熊猫嗑得好起劲

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