Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
究竟是阿里把这个角色变装逼了 还是阿里把啥都变装逼了 阿里能不能挑战一下演个kevinhart那种角色
黑镜既视感。摄影，剪辑，光影，设计，都太对我胃口了。
“I love you，always have，and always will.”
一个我将永远离你而去 另一个我则一直陪在你身边
怎么港，3.5吧，不够深，但主题是我喜欢的，如果讨论更深点就好了。只是逻辑上连这么高超的克隆技术都有了，为什么连癌症的那个基因不能直接被编辑，不合理，而且还没安乐死要在那里等死？
生命因死亡的存在才产生价值和意义
没有多少科幻炫技的东西，其实通篇都是对生命、爱情的思考。看完莫名的伤感。
哇我的梦想就是整一个这种仿生人让我能没有任何心理负担的去死🙏
让一个克隆人代替你活下去为了抚慰家人，你愿意吗
2. 是科幻（或者说科技）与人文的结合。
观影过程中，脑海的故事已经与这部电影无缝链接了。
克隆人替代本体的道德伦理困境其实只是本片的手段，而绝非目的，电影真正关注的，应该是英年早逝的人如何体面的离开，如何让关心的人继续原来的生活。如果从这个角度切入，电影在美学和主题上就有足够的先进性了。可惜这个手段的论证明显不足，光靠男主角的表演，本片是无法称为佳作的。
I love you，always have，always will. 于是一切有了意义。
这面镜子不黑，这首歌曲又凄又暖。
总觉得是在看黑镜。梗有点老了，爱和家庭倒是永远值得探讨的主题。就是实在共情不起来：两口子的回忆我不信能一直如此开心和气（俩人唯一的坎儿是失去其他的亲人）
结尾always have always will带给人的无力感，实在是一种最佳的留白方式。
我想我必定就是这些美好的作品看太多了，才会真爱这件事产生各种各样也许是不切实际的幻想……
优：中年男人默默扛下一切~为了爱的人，坦然面对死亡~风景加分
很有科技感啊，色调很喜欢原来真是在温哥华拍的
只要是和克隆人技术有关，伦理是一个绕不开去的话题。影片的观点或许就是：替代者本身就完全是自己的DNA复制的，当本体即将死去，那么用克隆体继续生存下去是除了对自己本体不公以外，其余各方面来说都是最完美的解决方案。
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