Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
十年后，已经对血浆乱喷的cult片硬不起来了...
这里的维瑟米尔像极了杰洛特 身手矫健 狡黠 游走在光暗之间 有自己坚守的原则 重情义
这么简单的故事硬生生用血浆和互虐撑到了两个小时，前半段的夫妻戏和黑色幽默好看
前半段的叙事和黑色幽默有点盖里奇，后半段忽然越来越血腥邪典，说实话是有些不适的，完全可以做一个轻喜剧啊。
当心灵摒绝肉体而向往着真理的时候，这时的思想才是最好的——柏拉图。维瑟米尔年轻时太帅了，杰洛特小时候哈哈哈哈。
1:赶工痕迹很明显 横向对比《恶魔城》战斗帧数明显低了不少且无意义
挺失望的 主要说说失望的几个点吧
作为一个巫师狂粉 就还行吧 感觉我都认不出Vemire了
我本以为北欧产的b级片一定跟他们的福利制度一样牛逼哄哄
除开玩过3代游戏+看完全本小说的情怀加成（这个浪催又浪漫的老爷子啧啧啧），看看本作的战斗戏也值回票价了。
剧情比较狗血，因为是挪威语，一开始以为很小众，后面才发现女主演过挺多大片的。
比剧版好一万倍！每个人都错了，每个人都要迎接自己选择的命运，这才是巫师的剧情啊！
特别精彩了啊 begging和血腥程度真的非常真实 太疼了 最后的结尾讽刺了下好莱坞的拍摄手法 最后 演员是真的好 ps 老爹真是太炫酷了 哈哈大笑
危情夫妻勇斗三恶徒，剧情设计不错，亮点是各种意外环节。拄拐老爷子最为关键和牛逼。
不愧是网飞啊，先打打杀杀过足瘾，再抛出猎魔人存在的宿命，在一无所知的时候就出卖了自己正常人的一生，到头来所坚信的收钱打怪原来只是自导自演的收钱好戏。组织发展过程中，走入偏差偏离正道招致毁灭，悔改后留下希望，似乎有点熟悉，老灾难共和国了
没看过原著 没玩过游戏 但是看完了之后 想玩游戏试试
看之前以为讲的不是凯尔莫罕那事，所以还挺惊喜的。动作场面很好看，剧情也不算俗套，血腥程度超出预期。我现在就希望网飞真人剧集能把预算提上去。
与美剧《猎魔人》一样改编自畅销奇幻小说，《狼之噩梦》聚焦的是维瑟米尔刚踏上猎魔人之路时的故事，这次他要面对的是一种奇怪陌生的怪物。
无粉丝滤镜，只看过大超版的真人剧。
全程无尿点，一个反转加一个反转，节奏紧凑，剧情紧张，就两个字，好看!
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