With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很久没看过这么垃圾的电影了，比爱奇艺的网大都不如。
女主的脸已经僵成骷髅了，还在装性感。
哈哈哈哈哈哈哈哈哈的商业片，周末看看还不错
只能说桑婆这脸虽然也打了不少针，可是跟地心那时相比也没什么变化。这CP真的很没火花，倒是皮特和丹尼尔有点出彩，可是剧情实在老套，笑料也没有很精彩，大概睡了四分之一过去。
本质浪漫喜剧，传统冒险叙事中男女主角分工的调换也很有趣，至少作为一部喜剧让我结结实实笑了很久。另外被钱老板和皮特抬走还可以很潇洒地不回头看爆炸也太好笑了。
桑婆还是厉害，不管什么年代演这类型电影都自带好笑滤镜。
皮特的戏份最好笑蛤蛤蛤蛤蛤蛤....钱老板42岁的teenage（。一直感觉他还是龙虎少年队那个比，但是桑德拉布洛克有点敷衍了
本来就够扯了，布拉德皮特还尼玛又复活了~桑德拉布洛克也是神，快六十的人了，看着也就三十多，科技改变容颜吧。
居然觉得比《神秘海域》还要好看些，至少笑点很有趣，钱宁傻白甜的肉脚形象相当不错，皮特出来打了个酱油，我居然对着那张沧桑的络腮胡看了半天认不出来！另外，这不是艾伦期待的丛林寻宝片，而是洛蕾塔笔下的爱情冒险小说。
几乎没有任何意外的冒险大片，笑一笑消消暑还是蛮好的，唯一意外的是排片比七人乐队和隐入尘烟还少。
“卡拉曼国王和他的珍宝安息在无尽的眼泪之井中。”
完全冲着丹尼尔去看的，中间看困好几次，插科打诨也没啥意思，而且我真的get不到桑姐，男主虽然傻白甜了点，但是很清醒，勇于说自己是feminist，好评~
流畅的轻喜剧，海岛丛林探险寻宝，俊男靓女，英国反派，一切都是那么老掉牙，但是整个电影就是这么幽默欢乐与流畅。片尾曲好听，女主好看，这么多年了，桑德拉·布洛克还是这么美。喜欢布拉德皮特演的教官那一段戏，死的也足够惊人，片尾彩蛋又活了是什么鬼。丛林迷雾中摩托枪战那一段太像《007：无暇赴死》了。
2.5,白期待那么久，什么玩意儿啊，找来几个大牌都搭不到一起去，选角定位最失败的就是男主，完全不适合，这不是浪费资源嘛，这不是浪费资源嘛！
从《生死时速》到《弱点》再到《生死时速续》，这就是桑德拉的演艺历程。
皮特领饭盒有点突然，屁股出现也有点突然。我是布洛克的颜粉，不然应该不会看这部片。
近期难得的轻松欢乐探险片。1080P 22/05/21
隔壁神秘海域6.3诶，这个不配吗，确实不够爆米花，结局也不够让人眼前一亮，甚至很平庸，但是喜剧效果好很多啊，桑德拉真的是天生喜剧的料，还不是那种故意搞笑，是真的好笑，然后故事呢就这样吧，动作戏只有皮特的一点，你把这个当作冒险喜剧看，就不会觉得难受了，定位错了
太过老套，就像太老的桑德拉布洛克一样，让人毫无兴致。
典型取悦女性观众的电影，查宁和皮特都是充当花瓶的，丹尼尔饰演的大反派人设都是蠢萌蠢萌的。女主塞琪聪明又性感，不再是等待男主来救的傻白甜，合格的爆米花电影。
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