剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 采芸 0小时前 :

    搞什么啊,这不就是把《旺达与幻视》里旺达发疯失控的内核又拍了一遍么,就是场面大点、特效强点、旺达疯的彻底点,单独看还行,但剧集不成了笑话么,亏我还特别喜欢剧集里的旺达呢

  • 龙恨蕊 2小时前 :

    剧情还行,不算太拉,但也有硬伤。

  • 费珍瑞 1小时前 :

    旺达确实做出了过分的举动 害了不少性命 但我觉得这是一种很人性的体验 她不是圣母 也有情绪 特别是她还经历了那么多 旺达真的好强啊 杀疯了杀疯了

  • 浮清舒 4小时前 :

    好多jump scare,不过还挺喜欢这个风格的~很喜欢🎵打架这段!

  • 瞿英纵 9小时前 :

    感谢漫威,没有让人失望,永远有新的尝试,新的风格😭竟然还看哭了

  • 那傲菡 7小时前 :

    这超英团战比无敌少侠第一集还血腥。

  • 顾代丝 3小时前 :

    果然是导演的风格,旺达的形象确实杀人如麻。奇异博士远程控制丧尸奇的时候,百鬼噬身的特效如果是用来拍仙侠片就好了。

  • 禽寻春 5小时前 :

    All about the madness 🤨

  • 梁水之 9小时前 :

    小女孩演技实在是过于呆木

  • 枫鹤 1小时前 :

    中规中矩,属实没什么亮点,说是恐怖片其实就是几个几乎不吓人的跳脸

  • 泽振 8小时前 :

    😂同样是multiverse,处理的就比同期的everything everywhere at once浅,也更加套路一些

  • 脱翰飞 7小时前 :

    【YVR-5th】个人而言,是漫威宇宙最重要五部甚至前三部的电影。这种重要性体现在类型片的选择和表达上。当然了,超英片有的问题它都有(故事逻辑,战斗力混乱),该有的彩蛋也有(新的人物介绍,继续拓展宇宙边界),但不同于以往乖宝宝一样的导演执行,这次能看出Sam Raimi(毕竟大导演呀)的个人风格 鬼玩人。随着第一代演员的离去,越来越多对续集电影的排斥和对超英片大同小异的指责,这时候漫威能拿出一部这样的作品(当然,奇异博士不是它们的王牌),就算有试水的嫌疑,也是值得表扬的。而且wanda的支线和自己的电视剧连接紧密,大呼过瘾;而哪怕没看过WandaVision也不影响理解。支持

  • 毛霞姝 2小时前 :

    旺达太刀了 看见她从眼眶中流下的泪水我都要哭了 她只是想获得一点幸福而已 怎么这么难呢😫 It doesn't seem fair

  • 狄清心 0小时前 :

    I love you in every universe.

  • 裘昊嘉 2小时前 :

    博士展现划水式战力,新人展现傻眼式演技,剧情可归纳为:《旺达你闹够了没有》。

  • 柔颖 5小时前 :

    这不是奇异博士2是猩红女巫1,奇异博士在自己的独立电影里打了个大大的酱油战斗力不行不说最后的心理战还是靠的是阿麦丽卡的大招。好看是好看但是太tm惊悚了。X教授出场的时候简直沸腾了这是什么跨世纪梦幻联动!可惜转眼被旺达拧脖子总有种不孝女旺达弑母的感觉23333... 旺达演技大赞贡献了好多泪点~另外法师和法术攻击终于站起来了嘤嘤嘤!!!

  • 随运菱 9小时前 :

    I love you in every universe.

  • 雨雪 9小时前 :

    周四下午首映场看的,虽然之前预告里有一些蛛丝马迹,但还是跟着现场观众一起对每一个惊喜欢呼

  • 璟玉 5小时前 :

    观于2022.5.4日本首映日

  • 缪晔晔 3小时前 :

    奇异博士以后就走搞笑路线吧。这个角色真的迷,智商忽高忽低,会各种nb法术就是不用,光就搁那甩拉面。

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