The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
虽然我对《刀剑神域》谈不上喜欢,但看到桐老爷登场的时候,我还是起了鸡皮疙瘩,真就青回了,TV第一季都多久以前的事情了,由于川原砾后面发病整了不少烂货,所以SAO本篇还真就白月光了,直接魔改剧情变成桐老爷亚总双人成行,这才是大伙想看的,不是能好好写剧情么,7.5分。
以亚丝娜为中心的SAO动画都挺好看的,圣母圣咏也是,加上艾恩葛朗特确实还有很多可以挖的地方,很好看
得亏咱还有点情怀加持,只可惜伊藤智彦版本sao的质感,估计再难看到了、😩😤😭
冷饭炒的还是比新番好看,但也就处于过得去的水平。
不过相信看了这片的大部分都是已经熟悉剧情走向了,能看到新的续作就已经感无量了,多给些情怀加成也不为过吧
作为一个亚丝娜粉,能够再次看到这熟悉的画面已经倍感荣幸了。就是粉丝向的情怀,只是这个而已。 就算再怎样也比新番好看😆😆
&
可能已经过了看sao这种类型的阶段了
但我就是不爱看那些个麦柔福利,别把TV里那些个遮遮掩掩的趣味放在电影里好吗,各种绅士视角,女主入浴,请放在TV里让我能够反复批判好吗。
艾恩葛朗特再现,终究是第一部经典啊,桐老爷才是永远的神
Mito虽然丰富了一部分剧情,但是最后的转折比较突兀,本来她就不像是能轻拿轻放的角色,可惜处理的相当草率,没写死倒还是留了点补充角色的余地
7.5分,很震撼她的翻身做主。但我自身局限性还是有点不是big fan of some bits in the film😓
3.印度真的有成为强国的潜质
3.片尾曲的立绘形式梦回第1季,挺好的;
好久没看过这么爽的刀剑神域了(藤老爷终于站起来了)
好看,找到了十年前看第一部时的感觉,又要重温第一部了
果然还是SAO精彩!!!不过问题也不少,制作方的不良癖好也…
特效制作看不出是2020年代的水平,剧情设置也是没头没尾
这是正常人写出来的剧本吗?要看原作洗洗眼的程度。
刀剑剧场版画面升级后看起来就是爽。可惜不知为啥要改剧情,加了个姬友莫名其妙,原本亚丝娜误入游戏,寻死被桐姥爷救蛮好的,加个被背叛画蛇添足
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