Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
感觉是挺乐呵的动画片。吴世勋是噱头吧。台词都没几句。
就已经无厘头到一定程度还能圆回来这个操作是需要一些技巧的
海盗2连海报的风格都保持一致，第一部都不怎么样，八年后竟然还想着拍第二部，所以也没有任何期待。完全是看到韩孝周才看的，女神完全不适合这种怒目圆睁的浮夸喜剧啊，当然看脸就够了，这片竟意外的还挺好看，如果男主再帅点儿就更好了，跟第一部配置都一样，女神加屌丝男
摄影 动作 都还不错 画面是有质感的 动作写实 刀刀到肉 良心电影
棒子版加勒比海盗呗 刺激乐呵 挺好 看着很带劲
纯喜剧片，竟然也没觉得无聊，一口气看下来了
【2022.05.17】虽然对第一部的剧情不太记得了，不过印象之中是好看的一部电影，看了这部还以为第一部的主演就是他们，原来都换了一批人了，女主里面的形象还是非常耐看的！总体来说很不错，剧情不拖延，高潮迭起，场景特效也不错，好看的！
主要是奔着韩孝周去的，有一点意外惊喜吧，有十年前加勒比海盗3的即视感，哈哈，爆米花电影大结局也不错
影片效果没的说，韩国电影在特效方面可以说是业界良心，只是剧情方面不可避免的老套。
《千里不留行》真是近期难得看到的一部制作优秀的网络大电影，故事节奏紧凑，一气呵成看完，配乐也和故事情节很融入，动作戏在想法上都做到了极致，能在网络平台上看到这样一部主创用心尽力的武侠电影，是充满惊喜的，本片的表演、摄影、美术、动作设计和音乐都能感受到主创的认真，制作组辛苦了！
演员们的表现也很不错，真诚且认真，不会让人出戏，比那些老演连续剧的顶流明星强得多了。第一次觉得网络电影的质量也可以这么好的
剧情好不连贯，好跳跃，最后搞的莫名其妙的。而且剧情也好无聊啊。。没一个主线的感觉。。。
片子有些地方很像《绣春刀》，可能是致敬吧！《绣春刀》描绘的是大明王朝大庙高堂上的尔虞我诈，此片则是讲述了大明王朝边塞小镇的江湖恩怨。一句话，我喜欢，是现如今妖魔鬼怪当道的影视圈的良心、诚意之作！
简陋的古早江湖，几场武戏确实还可以，但文戏、故事、还有好几位演员尬得直接在影视棚抠出了一个江湖，但毕竟网大，算合格，妈的，又过了一点瘾又完全不过瘾。
欢乐的海盗寻宝行，顺便干翻一票儿奸佞，再收获爱情，那么美妙——只是一点想不通：一帮子海盗，长年累月海上漂，为啥都有一副亮闪闪的好牙齿，他们天天用「黑人」？🥃
我是来看光洙的，有光洙在你就知道这片子啥定位了，蛮好笑的，虽然有些地方不知道是剪辑还是删减的问题好像不太连贯，但总体剧情还好，倒是感觉权相佑这张大牌有点浪费了？
流沙搅风——嗖……游蛇甩尾——哗……手起刀落——噗……血光冲天
故事很二，韩国特有的喜剧氛围，总是逃不掉的硬浪漫，但是本片大海的特效水准以及制作，不免让我心情舒畅，演员演技相对脸谱化，中等水平。特别说的是，韩国电影的全球化，多样化，正在和世界主流文化靠拢。给四星是我看到了亚洲电影的格局在被韩国人拓宽。
男女主感情线的最开始部分草率了点。李光洙太适合演这种角色了……刻在骨头里的傻子和背叛~
#吴世勋 秀彬这两个角色的意义是。。。？#
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