The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
作为网大，应该算及格吧，演员明星还是有一些，林则徐的那位演员虽然不熟，但是还是挺沉稳，只是形象上稍微胖了点！谢苗也还不错，他这个年龄段能打的人也不多了，杜玉明老演员了，老把他和季春华搞混。跟谢苗演对手戏的那个演员不是很熟悉，三番五次，总是每次死不了，连船上火烧爆炸都没弄死，有点太夸张了
就怕高智商犯罪，总之 不贪小便宜 提到钱要警惕！
怎么说呢，剧本一般化，演技能接受，结局也是完美结局，四星吧
之前一直没怎么关注过谢苗，直到看完《目中无人》后惊叹于他的打戏，所以就马不停蹄地把本片也给刷了，结果，又被香到了..首先这个切入点就很聪明，我们都知道林则徐虎门销烟，可我们并不知道这一历史事件背后有多少血泪。本片以动作片为引，挖出来的实则是极为深邃的东西。个人感觉很好，四星奉上，反正不管怎么说都不可能是这个搞笑的6.2分。
烟花当火箭筒使唤 爽歪歪！
韩国电影确实比较敢拍，电信诈骗题材值得一拍。
开头女友尬没，这个梗有多傻逼去看看就知道了，杀两遍都还在，薅一个人羊毛，傻逼乘二。武打片自创一个剧情多好，非要往禁烟上扯增加卖点，又整不到那个深度。话说钦差随便都能被下官罢免？坏人好人一眼清，为表演而表演。绝杀用长度取胜，真牛逼，大块头直接躲了。战斗反转，力气没人家大还勒死了，炸弹都炸不死，美女和主角都没说的。武打3星，禁烟1星，综合2星。
中国部分是在西安拍的，雾霾，电信诈骗，这导演是在西安生活过吧
🇰🇷拍电信诈骗老窝全在🇨🇳，而且hgr来🇨🇳潜伏特别简单，hg👮🏻来抓人前一秒还在🇰🇷下一秒就在🇨🇳了，你rh是你家传统，但是剧情这么不严谨，就真不咋地了，多一颗星给金武烈打的，大背头建议永久
被枪打穿了臂，依然灵活自如，被刀穿了胸，晚上要来个热水澡…铁打的人呐。
三星给陈真、黄飞鸿、叶问，这武打效果简直一模一样。
剧本故事那是那些，没什么可以亮点可讲。但整体有一些香港武侠巅峰时期的影子和味道，很是值得赞扬。目前具备武术功底的就是谢苗、释小龙这一辈了，需要将功夫和武侠电影发扬。
烟花当火箭筒使唤 爽歪歪！
很多细节还是很到位的
感觉里边的诈骗案很好发生，人很容易被骗，影片的立意是好的，但是感觉内容过于简单了，真的通信设备这么容易就被拦截，然后想转到那里就转到那里吗？知道自己的老公出事，就算是和解也应该在警察或者相关执法人员的见证下和解吧，直接把钱给出去，不怕对方反悔的嘛，诈骗犯说让你去死你就出车祸，这个也有点太牵强了，就算是自己失魂落魄，难道司机也不注意一下吗？
中规中矩，没有特别的亮点，基本没有多余的废话，一切在合理范围内，看看打发时间可以。
看来国内的电信诈骗真的出名啊……通话拦截真的让人防不胜防，结尾主角回归警队，诈骗屌丝想逆袭，感觉会有第二部！
画面色调怀旧，取景风格鲜明，打戏流畅，剧情紧凑，有经典港片的味道，非常值得一看
又会有新的问题
前赴后继，与有荣焉，，现在这样的动作片很少了
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