Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.
Sabina K. is inspired by a true story set in Bosnia and Herzegovina. The "Sabina" of the title plans to marry Sasa (with whom she served during the Bosnian War), but there is a problem. Sabina is Muslim and Sasa a Catholic, and their respective families disapprove of the marriage. Their only ally is an older woman, Ankica, whose son - killed in the war - had been their close friend. "Aunt" Ankica thinks of Sabina and Sasa as her own children and invites them to her home on the island of Korcula to get married. Springtime comes and Sabina travels to Korcula where she is reunited with Ankica and where the two women wait for Sasa to join them from Zagreb. The days pass... Sasa never arrives... and with a heavy and troubled heart, Sabina returns to Sarajevo. She discovers that Sasa has taken all his things from her apartment and moved out. There is no note; no explanation. Sabina goes to Sasa's mother for answers, but the deeply embittered woman treats her harshly and calls the police.
Malgorzata能拍出这样通俗易懂的小型商业片已经是很难得的事儿了 看点确实都在Naomi的表演上 能在这个岁数参与到这样的小型电影里卖力地演成这样 佩服
其实就是那么点相当凑巧的事儿，学学毛利小五郎难得糊涂一回不好吗…
nobody understood me or no one can share my feelings with
因为未接触过，所以觉得很新奇。遇车路过那段完全不需要，回家之后吃点东西洗个澡就可以end了，或者结尾再加段重遇谈几句和女主的特写就cut了吧，给点留白就行。(三星半)
沉浸式遇险体验+预防自杀干预导向，小成本的电影本身更像是一种价值观宣教片。
电影本身颇为乏味，然后距离黑道家族完结也太久远了，当年的大学生现在恐怕孩子都要上大学了，IP本身已经缺乏吸引力，黑手党的故事也不再吸引人了。
没看过剧听着旁白自述观影会一路莫名其妙，影片跟旁白毫无关系，很尴尬。
想法挺有野心，但把一季电视剧的量压成一部电影看着就又累又毛躁了
圣诞节过后的假期看了一部男主角死在圣诞节的电影。。。除此以外不知所云
兜兜转转把一条线串起来还算有趣，但是整体就是流水账叙事，一般般
很喜欢，全程不用动脑，就静静感受那场风雪，感受山，感受疲倦劳累和不懈坚持，感受伤痛和治愈。
纯粹因为情怀看的，电影本身仿佛一集零散的电视剧
拯救他人亦是拯救自己，也就这个和还可以啦，剩下的我也不知道为什么明知道天气不好她还要去登这个山？初衷和人物动机没有的情况下，实在是不知道目的在何处。
蛮无聊的阴差阳错，藤原依然千金在前，留不住。藤原这个刻板印象估计变成身份证了。
搞的神神秘秘的，小说家写的故事似乎是真实，但反转过来，就那么一件小破事
没有很糟糕 3万块本来是干嘛的 咖啡店员和编辑的汇合很粗糙 可以更流畅
好好的片子结尾却做了这么个最没意思的选择，而且让人完全不确定最后到底谁死了谁还活着。都成为都市传说的黑社会老大怎么就那么紧张那三张假钞？事实和小说家的猜测到底差多远？片名是啥意思？啥叫击退法？
这种电影，问题是一开头观众就知道他要演什么，包括会遇到什么困难，心灵的救赎，大自然的壮丽景观等等。就算导演把所有这些都呈现出来了，看完以后也就觉得平常，没什么惊喜，除非你有极强的超展开。
娜奥米啊，恨你戏红人始终不红，终究是个丫鬟的命。
喜欢看娜奥米•沃茨的电影，从不刻意遮掩岁月的痕迹，反而是最美的。
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