The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
告诉你
我和我的父辈,5代人、4则故事,新中国的开创与传承
徐>沈>吴=章。虚的越多越扣分,实的越多越加分。实加巧,就是佳作了。
告诉你山川大河/日升月落/光荣和梦想/挫折与悲伤/
只看了后三个,依然是徐峥《鸭先知》最有巧思。第一支广告和迷影情怀结合,镜头语言致敬韦斯安德森,单独四星。《诗》主要是情感细腻,剪辑非常凌乱。失望于腾妹《少年行》,不好笑且剧情老套。每段的结尾都很生硬。另外哪里有王菲呀?知道啦,原来是《如愿》。
生命是用来燃烧的东西/
是让平凡的我
渺小的尘埃
《乘风》:人物和故事梗概都是真实的,细节基本都是臆造的,整体观感一般。
徐峥的片段值得四星鼓励,沈腾的片段三星吧后面挺感动的。
每个故事都有各自的看点,作为观众来说还是非常满意的~
是宇宙的开始
看着6点几的评分,差点就错过了。我觉得还挺好的啊,虽然流水线痕迹很严重,特别是吴京和沈腾的。但国内影视剧这环境,真的别挑了啊。比那些脑残爱情剧好多了去啊,也不见得分有多低。
很差。
整部影片带给我的全是自豪与感动,主要目的还是激发观众的爱国情怀,此类影片虽百看不腻,但很难给观众带来新鲜感,没有坚持的动力
《诗》真的很不错,全场最佳,《乘风》第二,《鸭先知》继续带着小演员,但是没有之前的女排夺冠和支教父亲出彩,最后一个,对不起,只让我看到了一线城市中产阶级在教育上是多么的投钱,特别是和我的家乡出现的乡村做对比,而且在我心里,不防水的机器人,进入水里,也应该漏电啊。
《诗》最大气动人,《鸭先知》选材角度很有意思啊!另外两个我。不。懂。
将亲情放在不同时空承受不同命题,却愈显其动人面
第一个故事1星,第二个故事0.5星,第三个故事0.25星,第四个故事0.25星。
剧情套路都太经典了,不过看看还是没问题的。
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