With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
执念。里香和忧太永远在一起的执念；创造只有咒术师的世界的执念……最后在悲伤无奈中释然
你以为被诅咒了 结果是你不想让她离开诅咒了她 有什么比拼尽了全力去保护一个人还浪漫呢 真的是纯爱经典 一群善良的人跟一群头脑异类的比拼
又见枪版，盗录影院的电影，网上只能找到这版本，中间一直横亘的头非常讨厌。就电影本身来说，非常好看。无论是打斗、怪物的造型，还有咒术的设定，都很棒，自成体系。动画版本有24集，剧场版的完成度很高，脱离动画也是一部独立的好电影。主角是不能被激怒的，不然后果很严重。
我忍受了一个修整过的枪版。就为了在校际比赛中没出现的忧太，了解下夏油。坐等第二季。等我看完高清版再来改分数。
前面难看出声，不愧是独眼猫一贯的尴尬煽情。后面没有怀玉篇支撑其实也很让人摸不着头脑。最后五条悟笑着看理香消失简直让人无语哈哈。隔壁大哥全场沉浸式看剧，可谓是相当投入，我在边上一脸冷漠有点大煞风景。忧太和碇真嗣相当适配，里面看到eva差点笑死。一般吧，能看
终于看到了，这部节奏非常快，剧情直白，直接秒了个大BOSS。
主要讲乙骨忧太解放里香，顺带干掉夏油杰平息百鬼夜行的事。纯爱战神真的好帅！夏油杰没有漫画中酷帅，反而更像一个反派了，5t5依然那么美～
就是说“純愛だよ”那里靴微尬到了hhhh以及日影最近音乐的滥用真的很严重啊…毫无意义的煽情，强行高潮。其实这个故事没有这些也可以的真的😅
这周五就去看，各种PV看得差不多了，制作精良。五条老师太帅了！我老公就是这么强!
剧中悟和杰的对话，剧末悟和乙骨对话没字幕，有空补全
我是哭死过去了，我闺蜜一纯纯的夏推是直接死过去了，晋江小熊你没有心
很好的动画化了漫画的原剧情，但不能算是一部好电影。
五条悟这个天花板设得太高了，搞得完全不想看其他人🤦♂️
三星➕半颗星//从没看过原著和动画的角度来讲背景设定交代得很清楚 无门槛 完成度很高 // 五条悟大帅哥
就是说“純愛だよ”那里靴微尬到了hhhh以及日影最近音乐的滥用真的很严重啊…毫无意义的煽情，强行高潮。其实这个故事没有这些也可以的真的😅
20220615 HK // 又牺牲五条的场面！
“爱才是最可怕的诅咒。”
4D太值得了！！沉浸式体验“被五条悟打是什么感受”！！极致娱乐项目！！
IMAX只放了一周没赶上看的标准版。本质是弱鸡男主成长记，因为和咒灵的羁绊多了一些twisted的cult感，不过纯爱战神出场那一刻还是没忍住笑场了…
没想到乙骨忧太是这样的性格……五条悟的戏份不多，以及这一部的故事四平八稳，每个人物都露下脸……可能预期太高，不如正剧好看。
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