Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
多了新角色导致叙事更拖沓了，而片尾的彩蛋暗示还有第三部，这真的拍得下去吗……
其实主要冲着金凯瑞去看的，各种致敬，小丑（chaos is power）、超级赛亚人，被最后的we're family感动到了。总体三点五星。
闪电侠（影版）滚蛋吧！音速小子才是真正的闪电侠，而且他还掌握了奇异博士的部分技能，最后还变身成了超级赛亚人，打败了具有万磁王技能的反浩克钢铁机甲Boss！这一部场面和剧情比上一部都有提高，小蓝刺猬真是忒可爱啊！这次终于有了伙伴不再孤单了！
“地狱的烈火比不上来自新娘的怒火。”我就觉得这一段还行，别处都烂。
“因为那个头脑简单四肢发达的蠢货，是我们取得非凡成就的关键。”
A power bump！It is an earth custom. An unbreakable promise.
很多线索设置是能圆得起整个大话西游的故事，女主选角也对得起观众时间。
幼儿特供或童心未泯的，我为什么要看呢？因为看了第一部！制作的确不错，但剧情马马虎虎。
和第一部的观感大差不差，金凯瑞依然是全片最亮眼的角色，其余人类角色依旧很尬，有几个好笑的点，特效还是很糙，索尼克的速度上下浮动有点大。
怎么分数这么低？我觉得比第一部好看啊！当然剧情就不会有多波折 在他们用光圈来到婚礼之前都还是单薄的蜘蛛侠无脑拯救社会的烂俗剧情 但是和黄色还有红色刺猬加入了之后就精彩多了 做了好朋友大家相互合作打败大boss的本来就是喜闻乐见的好套路！Tails还那么可爱！（如果是女孩子就好了ww）特效也很不错啊 超级赛亚人金色索尼克帅呆了！下一集再变强变色吧孩子！
比起同行们，良心之作！
这是把各种俗套全放一起了吧，不过看着金凯瑞夸张表演还是有趣
自此，大话西游三部曲圆满了。为了致敬达叔，这部电影是免费的。虽然猴子脸上的毛有些少，可是这部剧的诚意足够。
第二部整体质量和1持平，故事淡如白开水：索尼克和两个新角色，以及回归的蛋头博士，一起争夺拥有无穷力量的翡翠钻石。从头到尾都是些陈词滥调，笑话不好笑，设计无惊喜，特效中规中矩，观看过程有时甚至会很沉闷。硬要说的话：金凯瑞的某些表演时刻仍是亮点；蛋头博士的巨型战甲挺有趣
挺炫酷的，这两三年美国新电影明显含黑率更高了
基本与第一部质量齐平，故事俗套流水线，所以请来两位红黄同类坐阵，蛋人再次竹篮打水一场空，重复了第一集的主题方向，细节平平，但特效真的给足诚意。
看了几个月了，想起来补标。惊讶于国内居然还没有上映(但转头一想好像又没有什么好期待上映的)。
剧本整体过于草率，有几个镜头挺有感觉的。三颗星给达叔，吴昊宸和紫霞
再加上些漫威和dc吐槽
这个叙事和节奏实在太老套了 即使游戏ip真的不好拍也不应该这么敷衍了事 本来就是个老ip没有多少粉丝基础 靠着节约成本实现盈利倒不如不拍 金凯瑞是多么适合现在的商业电影 但只能在这种三流片中混口饭实在可惜 这个故事这么勉强拍三部曲多买游戏能多卖多少呢
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