Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
男主那演技真的是绝了，特别是母亲病重那段，哭的那叫一个撕心裂肺啊
围绕着爱，承诺，坚守，留下的一部电影，情感不错，但是现在多少人能做到
非常不错的一部影片，非常推荐，故事很吸引人。
晚上看完的，很朴素，很干净的电影。故事很治愈很暖。韩老师很伟大，梅朵太可怜了。
偶然看到这部支教题材的电影。摄影很不错，比起前些年看过的几部，完美呈现了藏区如画的风景。几个典型人物的塑造让这所偏远的小学在氛围上像是个乌托邦，艰苦的条件让有的人避之不及，也让有的人流连忘返。真实而梦幻，整体还不错。
电影很写实很容易代入进去，特别是当地的风土人情，真的特别真实，跟着韩老师一起为孩子们揪心
很满意的一个平凡人的不平凡的一生，也许我们的生活没那么多精彩，但我们活的很真实
韩松老师将自己的青春，甚至生命都奉献给了教育事业，这种无私的奉献精神，值得我们学习。
这样干净纯粹美好的电影，应该被更多的人看到
演员虽然都不太叫的上名字但是演技没得说，很自然不出戏，哭戏都绝了，眼泪没停过
给我的感觉就是，大家都很秉持着孩子是花朵是未来信念，为之付出，让他们获得知识，很正能量了
电影中讲述亲情太过仓促，只是一带而过，感觉母亲出现就是为了推动故事情节的发展，如果能细细展开，效果会更好
每个节点上，都有人教会他成长和坚守的意义，最后，他选择留下，长存，真正解释了生命的意义。
男主一开始妥妥的一个文艺小生没想到到了藏区就变成这样子了哈哈，不过还挺真实的，就是剧情有点拖沓了！
每位演员虽不眼熟，却用真诚将我带进了这个故事，让我勇气继续探寻我生命的意义。
那一声声老师，喊的真是让人泪目，也许就是因为这样的感情，才有源源不断的动力
看着孩子们一个一个长大，都有了好的前程，这是作为老师最大的成就感吧，替韩松老师开心。
男主角的演员选的不错，既有少年感又能演好后期的那种复杂感，回首一生已然无憾。
主旋律的电影，似乎一定要人命牺牲才显出高大伟大。但若朗措大哥好好活着，好好陪着学生，不好吗？还有僧格，也算是强行牺牲了。
藏区支教主题永远感人，开头小韩老师的独白说支教是为了镀金，如此功利性的词语我以为是个伏笔会有反转，没想到剧情发展依然一同此类电影路线般朴实。电影里每个人物都非常出彩，特色鲜明。除了主旋律也不失为一部旅游风光片，草原真美啊。
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