这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
短小精悍，本作有对于喜剧片来说出色的剧本，精妙的细节编排，富有创意的恶搞和层出不穷的喜剧效果。
好久没看过这么搞笑的电影了，那个衰仔上厕所可笑死我了，感谢最后，导演也没忘记植入吸尘器广告，大笑结束😂😂
“复联4”没有寡姐没有鹰眼差评哈哈哈哈！所以最后是雷神一个人“拯救世界”吗，对标正在上映的《雷神4》真的笑死
比去年好。觉得刚开始紧张感拉满，剧情也相对紧凑。出了结尾足球计划很离谱之外，还行。感觉对剧场版已经没有太多要求了。
特写部分的作画可以满分了吧，警校五人组的回忆杀挺好，零和松田好帅，至于推理部分，省略了吧。每年看柯南应该是从学生时期的定番活动了。因为疫情，上一部至今未看，如今，时隔两年终于去电影院看了电影，不得不感慨时光不再。还是怀念初中小学时刚开始追柯南连载的那种感觉。这一部舞台在涩谷而我在新宿看的，是不是应该去涩谷电影院来着，毕竟更有犯罪现场的临场感。
我真的笑死，直到最后一刻还在反超英。虽然有点恶俗，但确实好久没看过好笑的喜剧了！
有几处是真的蛮好笑的～做的再精致点就好了～编剧可以的～事事都有交代～～nice nice
中间猜到了凶手，但真正的剧情比我猜的有些复杂了让牛顿棺材板压不住的桥段其实还是有的，但是不影响整体观感。所以我还是推荐的。
终于换编剧了！！！！！不带期待去看电影果然比较容易收获惊喜。
阿汤哥最后无辜躺枪
还行，相比近年被喂的屎，只能说还行。安室坐实特种兵身份了，擅长并乐于在各种摇摇欲坠的物体上与人干架。
短小精悍，本作有对于喜剧片来说出色的剧本，精妙的细节编排，富有创意的恶搞和层出不穷的喜剧效果。
哈哈哈哈哈我他妈笑死了，太会玩梗了，最后那个雷神之锤美队盾牌绿妹妹啥的，真是笑不活了。剧本很好，屎尿屁很多但是不让人讨厌，竟然还有个感人爱情，国内可以翻拍，球球别上价值。
非常简洁愉悦的喜剧，用超英套路解构超英，敢于黑别人也不吝惜自黑，骚还是法国人骚啊。
我去…竟然真的还挺好看的😂难得能让我忍住想去厕所的冲动认真从头看到尾。一如既往的无推理plus半小时猜到犯人 但是同期组也太他妈帅了吧😭到底是打了多少钱给制作组！！
柯南已经不甘于做一名普普通通的侦探了，要在反恐的路上越走越远。逻辑还算通顺，俄罗斯反派的塑造紧贴时事，警校五人组的剧情还有一点魅力，整体上可是算是近几年最说得过去的剧场版了。最核心的推理部分也很牵强，柯南其实已经不需要动脑了，靠反科学的超能力和阿笠博士的超能力装备不但可以破案，也可以拯救世界，建议下次可以和漫威联动了。最后的彩蛋不错，已经可以预定明年黄金周的电影票了。「会いたかったゼ、シェリー。」
颇有白头神探、飞机头的喜剧风格，还有点魔幻时刻假戏真做的味道，再调侃调侃当今商业电影制作和超级英雄，笑的不能午休了
剧情很傻，笑得不多，比较惊讶的是恶搞蝙蝠侠的片段很彻底，画幅都变了
好像get为什么那么多妹子喜欢安室透了。啥时候出一个有中文元素的剧场版吧~
恶搞了蛮多DC和漫威英雄的 还有很多内涵段子的 消遣时很适合看
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