The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
《毛骗》团队班底再出手，邵庄和杨宇继《杀不死》再次从互相伤害到互惠互利的“权益婚姻”到患难见真情，小人物为小利益的多方混战，乐此不疲。
一切自己解决，警察是个什么职业？跟此时的上海一样😎
毛骗团队终于有自己的电影了。
就一个感觉，好好看！ 而且片中处处有彩蛋，和优映文化以往的作品演员联动的那叫一个棒。 在街上打群架的时候用的BGM还是相对论的压路机，哈哈哈，这是我最喜欢邵庄的音乐了。 其实电影本身的质量值四分，但是，我就要打五分。这不只是以往的作品滤镜加成，而是优映团队的这么好作品不应该不到七分！我要抗议！ 另外，包哥真牛逼！
我很喜欢优映团队是因为 前期都会埋坑 但是后面会推动剧情 所有的东西都堆在一起默默的把坑填了
每一场碎玻璃戏，出租车出动戏，撞车戏，我这心里都默默的为剧组的破费心疼…
不过演员演技的问题暴露的更大了，期待的反转不够精彩，结尾强行嗨皮安定。
看完异物志以后各种搜才发现的 我欠你们一张电影票啊！！
还行吧，熟悉的观众，能发现些进步，但缺乏惊喜，对新观众可能缺乏吸引力，故事还是围绕着骗局，但是矛盾冲突不足，有些平淡，邢冬冬和邵庄的表演很好，杨羽需要更明显的提升。还算及格吧。
和以前的其它作品相比 有点普通、平淡了 但作为网大还是值得一看的 依旧是充满荒诞、反转的老套路 还带着正能量 老粉很容易发现的彩蛋 一个是庄哥乐队的配乐 一个是结尾获奖的电视里的作品 还是期待下异物志吧（冬冬太逗了）
洒水车的音乐仿佛圣歌，五菱之光下来了十二个人。包哥帅众出马，基顿场面进城。
看这片的肯定都是老粉了 但是不足之处在于演员没有突破 还是原来演什么角色 现在还在演什么角色 看了半天好像是旧剧的衍生品
埋悬念这点依旧是那个味儿，剧情有太多地方站不住脚了
格局不需要那么大，金额不需要那么多，还是越看越顺眼的那么几个人
完全无法get到笑点，看到影评一片叫好，不明白了。。。
好好看，邵庄真不错，包哥牛批！
比一些粗制滥造的网剧还是强不少，优映一直水准在线。
为啥不上院线啊！唉
团队很有自己的风格，但是也同样暴露出一些问题，剧情的安排就是将各种巧合杂糅在一起，但是缺少特别强的核心
优映一直都是本子牛，拍摄技巧有点拉
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