Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就算结合大电影，这部也是近年来少有的好的武侠动作片
好久没有看过这么有味道的武侠片了。谢苗很有点西装暴徒的感觉
少年带着无知无畏的勇气闯进了这个混乱的社会，他们自信满满以为能出人头地，最后被干的遍体鳞伤。
1用短短74分钟，来讲述一名剑客行侠仗义的心路，作为网大电影可圈可点。镜头调度可见导演懂行的，电影感塑造不错，可惜故事太弱了。
一般吧，当个爽片看，剧情和逻辑基本一窍不通，服化道也不行，不过几处动作戏挺好的，但是全片没有高潮
拍的可以，有传统武侠那味儿了，就是剧情还是有些单薄
整部影片的风格和质感都很不错，但故事的单薄影响了观众对武侠江湖爱恨情仇的深入体验，角色数量再庞大一些，角色塑造再深入一些，追赶绣春刀是有希望的。
3.5 相比于香港武侠里的江湖情义、意大利通心粉西部片中的赏金猎人形象，《目中无人》里的氛围感更多是日本剑戟片带来的。无论是舞台化的雪夜复仇，还是成瞎子拿刀的姿势，都有一种日式简约感。不仅瞎，还喜欢赌，这不是致敬座头市，是什么？不得不说，武侠的现实主义之魂回来了，不是了事拂衣去，而是路见不平拔刀相助。这是最早的侠客精神，如今返璞归真，结合一些社会性事件，不知算欣慰，还是多感慨。作为一部正片内容仅一个小时多一点的网络电影，《目中无人》还是只搭了个框架，网络电影“模仿”的核心没能被打破，有些可惜。
7.0/10，快意恩仇，干净利落，网大精品。
节奏不错，画面质量高，反派的人设配上脸莫名带感，主角瞎子前半段都闭着眼睛，所有打戏行云流水，刀光剑影，看着太过瘾了，还以为是哪位专业的武术指导，一看演员表原来是谢苗，那就不奇怪了哈哈哈哈谢苗对不起！
反映鸡娃教育过度的恶果。把你从梦中拉出来又给你创造另一个梦境的人可遇不可求
观影二十多年了，我怎么会看这种电影？导演想表达什么？
故事本身个人五星心水，加之不抱期望所带来的惊喜感加倍，本愿多给到五星。但，从其他平台见闻，本片似有仿倭风之嫌(座头市)，斟酌给个四星吧。Y
除了服化道不太讲究之外，其他都不错。谢苗原来是少林五祖里的童星，感觉很有潜力。
剧情不复杂，动作很犀利，画面非常棒，角色虽然很一般，但几位演员还算努力，谢苗的动作力量感真的好，干净利索，丝毫没有拖泥带水，想起了《师傅》的动作。我以为是烂片，但压根不是。
大概是看过的国内最好的一部网大。基本上是复刻了座头市的套路了，部分画面拍的真好。
网大的投资水平，换来风格化十足的。甚至可以系列化的主题；一双错骨手、一把听风刀、一招楼兰斩，中国版座头市；“杀死一个人要偿命，杀一万个人就不用了，这么简单的道理你不懂吗”；
不给琴娘战斗场面我真的接受不了。。。。这必须减一星！
挺好看的呢～琵琶女～去送死我感觉有点多余 其他都挺好
3人不可踏入同一条河流两次，但绝对可以掉进类似的坑里无数次
Copyright © 2015-2023 All Rights Reserved
