"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
Alex Hugo Vincent. 导演会取名系列。老套路爽片，阿尔兹海默症晚期杀手的绝唱。Justice has no use.
连姆尼森大叔老了，打不动了，想影片中的角色一样，令人叹息。
扎克埃夫隆演技很牛啊，完全没认出来是当年歌舞青春的男主
很真实但有点乱。扑面而来的英雄迟暮美人易老啊。
还行吧，人性如此，节奏紧凑，没什么特别的，结局从两人分开就料到了
真的是耐着性子看完 结局也很 法律治不了 只能暗杀
打工人被压榨的最后一天，老爷子一把岁数还在打打杀杀也是不容易，感觉演技非常可
连姆大叔不再营救，拳脚还是干净利落，不过动作镜头是越来越少，还被乱枪打死真是有点晚景凄凉，是一部老演员的挽歌，蛮感触的。情节简单，保护青少年警察部有点突兀
结束的太快了 ，那些收了钱给她庇护的人呢。
有时候这个世间还真的需要那些隐匿在阴影中的暗夜骑士…
片尾亮了，这电影《掘金》好比做交易，你发现一只牛股，你告诉了他。但还没有启动，这时需要人蹲点，另一个去找资金加杠杆，赚更多。然而等了很久很久，找资金的人看着他。他自己在这次交易中，可以获利出局，享受财富自由，人生自由的生活。但是抵挡不住人性的贪婪，还是想吃到最后。结果可想而知，死在了高位上。这时候加杠杆的资金人也回来了，买在了山顶，就好比片尾被箭射死，也死在了贪婪中。
有个好剧本，有个好题材，但是拍的太差了，这么老旧的拍摄手法，怕是90年代可以获得高口碑，但是现在真的不行了，算是后半部分强行拉回来了一点吧，但是真的砸的很可惜
马丁坎贝尔导演，连姆尼森大叔又在拼命，饰演已经前期患有老年痴呆症状的杀手，身手了得干净利落除掉贩卖人口的恶匪，最后的正义感爆棚！“球花”莫妮卡贝鲁奇于第35分钟出现，日渐苍老的球花已开始演母亲了，饰演不择手段雇凶杀人的霸道金钱女BOSS，最后被割喉的场面较血腥，真是太不爱惜球花了！影片再次验证金钱利益不公的背后，正义子弹才是公正判决！
沙漠的残酷让人对一切都产生了幻觉，在任何极端的环境下，活下去就是最大的成功。
其实都不年轻了，还是类似的剧情，诶。。。 有点套娃的意思，缺乏新意。
前边还好，最后一个警察能随便进豪宅搞职业杀手那套有点太扯。
女神熟的好透…奔着阵容去的，剧情一般般,节奏控制的不错，一会儿一个小高潮。
22.5.25下午，最近血糖不对劲儿，b犯叔
老了呀老了，演了个老人，杀手有点强行变好的感觉。
连姆是奔着杀手大叔终身成就奖去的，这个适配角色故事都可以连上了
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