Synopsis
Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
Notes
"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
Afterword:
- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
霸王龙小分队！
为什么每次新年都要打打雷 放过打雷吧OTZ 观感比之前的2个新年特别篇好 但这loop模仿得过于刻意而且没有理由 突然循环突然打雷入侵突然团灭突然告白 基本都没有解释比较唐突 新人物观感还行但介绍篇幅过长 解决办法也只是一炸了之非常粗暴 13的表现也不是很突出感觉起到的作用不是太大 其他还有13装傻和官宣Yaz喜欢13 Dan真是超勇的 总之虽然比之前的特别篇强但也不算很精彩吧
感觉就是大耳朵图图裁缝，把以前的缝缝补补拍成电影
这个结局真的贼烂…而且主角的操作着实令人智熄
虽然有些不足，还是很喜欢郑爷爷的童话，让我们回到童年。希望多些教育工作者能看看
比前两个元旦集好，但Yaz这个角色这几季算是被CC写毁了。下个特别集前瞻感觉妥妥要辱华了
我能坚持追下去，全是靠“马上就要换编剧了”的信念撑着
yaz喜欢doctor，我都不想说啥了好吧，本来剧情就这么差劲，你又把人设魔改，又整这一出，我吐了
真的不错，结构非常清晰，每个事件比较短，小学的孩子都可以看，大人看了也不尴尬，没有卖傻环节，真的不错，我们都低估了大耳朵图图和上美。
为啥每次孩子找不到了，父亲都这么淡定；为啥父母在做危险的事的时候，总是不把孩子带在身边；恐怖氛围是不错，结尾太仓促和混轮。
第一次看，原来是上影旗下的。大耳朵图图，还以为是三毛图图呢。故事一般，主题是敬老，不过笑点挺多的！
老套路… 买入搬入新居之前老外都不调查仔细的么？！ 母亲果敢，父亲就是工具人，存在感很低… 边看边猜最后的结局无非两个，happending或全军覆没… 满以为是第一个了，可惜最后的一开门~ 胸闷了！唉~
感觉也是不错的一集啦，恐惧感、紧迫感、压迫感，第十三任博士的感觉都在～期待后续的最后两个特辑，以及十三姨一定要出现在RTD的六十周年特辑里哇！
打车听广播说主题曲由蔡国庆父子演唱，豆瓣评分8.5，我就来看看，结果是人数太少没有评分
多那一星是和去年的特辑相比好了不少。但cc的毛病一个没少，说教，感情戏突兀，不只是小黑和包租婆，亚兹对十三姨的感情我无论如何是没看到前情提要的。loop的概念挺好但拍成了流水账，唯一喜欢的大概只有加特林打雷
我能坚持追下去，全是靠“马上就要换编剧了”的信念撑着
这部的剧情一般般啊，加上好的剧版有过的内容，新内容比较少，所以一般般
但是还不认识牛爷爷
‘时间循环’虽然老套，但我还比较喜欢~感情线和一些说教，还是有些不适~烟花挺好看，倒是相衬新年~
有没可能恶魔通过控制人类迫使他们在特定的纬度建造通往地狱的桥梁，但是为什么要念数，总的来说氛围的渲染还是可以，但是总体剧情衔接不是很到位
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