James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
看不懂请别随便打分，看看影评就能有加深很多理解，又是一部分不配质的恐怖片
为什么评论区大家一副很期待的样子，这部平平无奇的烂片。
都是些不怕死的货，明知道有问题，还特么去送人头。还有一群弱智的警察。
虎头蛇尾，导演在中段为了杀戮场面而仿佛忘记的温迪哥怕光设定在结尾时也成为了女主的反杀契机，也使得塑造了几乎全片的温迪哥的恐怖感在那一刹那荡然无存。
好可惜啊，隐约觉得可以是一个小精品，不曾想最后还是浪费了这潮湿阴冷的怪诞小镇以及算是比较不错的怪物造型。
Carol, why do you want us to bail? Just tell us why.
造型很棒小男孩演的很好，景色很美，结尾那个海滩看着像温哥华hhhh但是所谓的恶魔也太容易死了吧？？有点下头
虽然一开始就猜到了是温迪狗 但氛围的营造很成功 还是带出了悬疑感
老师逃避了父权的压迫，回避了弟弟的遭遇，选择性的救助其他人
从未像这样期待一部电影，从预告片上映，到啃英文原版中篇，然后到看强迫自己看恐怖片练胆，再到不停寻找资源。今天终于看完了，我只能说真的没有失望。作为一部恐怖片，摄影与气氛的营造做得很好，最后的彩蛋(?)也很增色。豆瓣评分是别人的事情，雨我无瓜。
其实这部剧的剧情很好，但就是亮点不多，可惜
可惜了小男孩这么优秀的演技以及影片这么出色的美术设计。
氛围营造得还不错的恐怖片，连看了两部片都发生在Oregon，以后再开车去怕有阴影了😂
怪物这造型真有血源的味道
本来行动迅速灵活无比干掉无数男人，见到个女人变成木偶了，随便捅。
想起大话西游里唐僧那句台词。我写一句类似的，「之前是杀了那个弟弟救了哥哥，现在要杀这个弟弟了……」
还有…恐怖片能不能不要在结局非得反转一下，如果能让人震撼那还好，可这么多很低等的惊悚电影就非得来个反转
太弱智了白期待半年多了，勉强看完，中间数次想退出。
看睡了。看起来很努力，实则被A24系吊打。
鹿角怪物与小男孩，这个概念时不时就会被搬上银幕，质量也是just so so .
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