剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 栾彬彬 5小时前 :

    被Pedro骗来看烂片...讽刺得过于谨慎了。(顺便他们关着的房子好像在绅士们也出现过?)

  • 灵淑 0小时前 :

    推轮椅那段真的是笑死我了哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈

  • 骏伟 8小时前 :

    瘾君子母亲为了孩子改过自新,手刃亲夫,这就是母爱的力量吗!!!

  • 鸿辰 0小时前 :

    涉不涉及灵异?开场的一些镜头很误导人。空间小,人物少,张力拉满。女主戒毒,打算卖了母亲留下的房子,带两个娃去其他州讨生活。娃爸是毒虫,交的朋友是恋童癖。怎么说呢,整个故事就是当妈太难了,女儿四岁左右,儿子一岁不到,光是跟女儿好好说话就累得不行。结局蛮好,女主不搬家了,找到了母亲留下的苹果黄油制作秘籍:苹果变色了没关系,去掉坏的部分就行,这种苹果做出来的苹果黄油最好

  • 蹉芳林 4小时前 :

    ★★☆ 上一次看Judd Apatow作品,已經要追溯到15年的《生活殘骸》了,有創意,有段子,沒故事,沒節奏,這一次的優缺點如出一轍,而且還更差,主線更弱,群戲也不行,荒誕一不小心成了荒謬。当阿帕圖黨只剩下Judd Apatow,曾經《太壞了》《菠蘿特快》《伴娘》帶給我的樂趣,一去不復返了,我想念Seth Rogen、Paul Rudd、Jonah Hill、Michael Cera們湊在一起的日子。

  • 骏振 3小时前 :

    总结一下就是封太久人是真的会发疯,但因为太荒诞了就跟“不要抬头”一样有点笑不出来,还有也塞了太多tiktok了吧。

  • 璟梦 6小时前 :

    虽然这个片子也是5点几分,但他和小时代那个5点几分绝对不是一个概念吧,强烈建议豆瓣把评分系统分成中国赛区和西方赛区

  • 长鸿宝 4小时前 :

    看见别人说是小成本的电影,加一星吧,感觉一般

  • 殳香馨 2小时前 :

    不要要求太高的话唯一缺点就是太长了,90min就够了

  • 枫驰 8小时前 :

    同在一个猪圈下,有的猪居高临下,挑堆毛病,看个乐呵,有的猪不敢深思,不敢代入,不敢多说,还有些猪,眼里从来就没有光。

  • 谷梁安筠 9小时前 :

    女主有颜,要不是有点说不通、有点宗教色彩外,情节紧凑,全程都很紧张

  • 舒蕴和 6小时前 :

    讽刺力max,捅鼻子 拍抖音 隔离逃跑 Zoom监工,全世界都一样烂哈哈哈哈

  • 栾彬彬 8小时前 :

    调侃,胡闹,戏谑,特殊时期给大家带来欢乐。

  • 澄海秋 1小时前 :

    不是很好笑但是我好懂他们在拍什么。😢

  • 栀梦 6小时前 :

    虽然有在努力讽刺短视频,但是两个小时的无聊电影(特指本片)和奶头乐比起来,宁愿去看奶头乐了

  • 骏凡 0小时前 :

    挺可爱的,娱乐至死但是不上价值。喜欢一些轻描淡写

  • 汝长逸 4小时前 :

    烂得奇奇怪怪的一部片子,至少是给这个疫情时代留下了一些东西。

  • 督曼青 4小时前 :

    闹着玩儿的疫情电影,两个小时的阴阳怪气,你甚至分不出来哪些是讽刺哪些是真实。概念还挺有趣的,就是段子接段子拍得支离破碎导致无聊透顶。

  • 麴晓枫 2小时前 :

    各种无厘头,我就喜欢这种让人轻松愉快的电影。

  • 琛鸿 2小时前 :

    20220602 周四 19:52 只能说我是为了vincent而看的他,他现在是不是已经不混电影圈啦,多久没看见他有作品了,都已经60岁了呢,在戏里演人渣而且他奇奇怪怪的出场又莫名其妙的死去,哎呀!女主有点像Alexa chung,不过演技好差!我想说苹果坏了一般即使保留了一半好的部分其实它也是烂的了。

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