The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
爱来的好肤浅。小时候的玩伴一直能念念不忘到结婚时嘛，只能说未婚夫太令人心疼了。风景真棒啊
选一段再延长，这样的改变风格还不错，女主气质佳，之前的一部文艺片也是她演主角，nice，
Netflix自己制作的电影大都不行。这个讲美食、风景、爱情、人生选择的故事，没有一个主题能到及格线。
●“女人的特权就是专情”——真尼玛无聊。你是谁啊就代表女人。
托斯卡纳也救不了的cringe，男主感觉有点边缘人格，片长加一倍就能发展成惊悚片。
●男演员们是按谁丑谁来演是吗？
不知道真正的意大利人看了会不会打人。不理解结婚前夜跟别人亲吻是几个意思？婚礼上牧师仪式时，既然犹豫了，为啥还要I do。难道这样才能表达意大利人的浪漫多情？这就是所谓的刻板印象吧？跟托斯卡尼艳阳下一样，这一部还没那么好看的演员加分。男的女的都不好看（可能凸显真实中年，配乐也一般般。
給創新點贊，尤其是後面那個水箱哈哈哈哈哈三分靠打拼七分靠運氣
A total waste of time. 史上最烂简奥斯汀翻拍。选角也毫无看点。
一般。前面铺垫太长了（在这个铺垫当中也继续在插入韩国的一些社会现象，考公、买房、职场关系）但是整个故事感觉有点普通，强行煽情。楼塌下来小孩竟然没事也是有点点离谱……就也不怎么好笑也不怎么灾难……黄色潜水艇那一段虽然cue了披头士但是还是🤏离谱……
简奥斯汀还够好莱坞再拍几十年。这一部拍得非常无聊——摇摇晃晃的镜头、不合逻辑的场景、自作聪明的台词、集体掉线的演员。女主的演技仿佛一夜回到解放前。即使是在如此"戏说"的设定下，漂亮的脸蛋也没能撑起直面镜头的独白。
行叭，看得大家人都没惹…(´･ω･`)？？？
故事确实俗套，颜值确实不在线，但我正需要这种缓慢的节奏，很舒服，看完心情变好了，所以给五星，非常私人的评分
又吵又闹，废话台词巨多，看到开头猜到结尾，由于是喜剧片，屏蔽掉其中大量不合逻辑的剧情后，居然看的很爽，背负房贷的人能看懂里面每一个明示和暗喻。
其实，喜剧效果是演员自带的，
导演优秀的叙事方法让这个“尴尬”的中年爱情故事变得优美生动起来
Dakota太出戏了。选角既然已经如此，Henry Golding不如直接演Wentworth，至少更养眼
不考虑现实的bug外，是一部让人又笑又哭的灾难片。还是可以一看滴～
达科塔约翰逊毫无古典气质，改编现代至此不如放弃摄政时代搬到21世纪，大概制作组也知道简奥斯汀的古偶有着与现代并不适配的狗血风味。甚至不如爱玛。
Wow, this is a horrible adaptation that makes almost all the imaginable worst choices. The creators combined Emma 2020 and Fleabag in an incredibly cheap and lazy way without even looking closely into their own heroine, Anne Elliot herself. Jane Austen would deny any possible connection with this piece.
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