With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
居然讲的是杰洛特的导师维瑟米尔的故事，摆明着是要发展猎魔人宇宙了。
看的英语版，配音带着伦敦腔，有些尴尬；剧情没有那么多的冲突，主要没玩过游戏，所以共鸣不多。
制作极其精良，画面音乐都是一线水平。就是有点不对味，猎魔人的战力很迷，故事也改成了纯美式套路剧情，“邪恶政府研究秘密武器，最后超出控制，被正义的军人发现，大义灭亲拯救世界”看过无数次。剧情深度不足，仅仅是讨论了金钱和堕落，各族间的争端排外主题没有深入，更不用说对“命运”的表现了。猎魔人的形象没有立起来，他们的职业前景、所处位置、个人的内心挣扎、对国家种族的态度、信仰均没有表现。女术士的角色背景也没有深挖，很单调的一个形象，介乎于站得住和战不住之间晃悠。最后没想到杰洛特是个小吴克
说黑色幽默或者荒诞，他还弄的挺像惊悚片。
完全不留情面，就像人们所说的猎魔人的情感（没有）
比剧版好一万倍！每个人都错了，每个人都要迎接自己选择的命运，这才是巫师的剧情啊！
猎魔人浓度很低的一作，猎魔人正面PK术士？近乎魔改了啦，但动作戏真的很棒！
一直以为会反转，前面夫妻和解大杀四方，最后妻子诡异一笑杀掉丈夫说：亲爱的，我的演技有进步吗？
转折不断寓意深刻的电影，但是感觉具体情节非常违和。一般欧美电影都有一个废物女二之类只会哭喊尖叫，本片这个角色被电晕之后（感觉换了一个人）的男主担当，从此全程废物坑老婆坑老爹（不知道为什么我脑子里跳出来的是女主带资进组惹不起，然后乱改剧情）。期待我们肖导演肖主演翻拍去打原片脸（他翻拍的除了人潮汹涌其他都不错）
后1/3拉胯的不行，剧情bug贼多，强行反转，强行加戏份，精简成90分钟的类型片不好吗？
4星。黑色幽默又拳拳到肉，故事也不落俗套。
多次的倒序，最后最后所谓的“真实改变”太讽刺了，让我哈哈哈哈哈大笑出了声，荒唐的闹剧，配合血腥还有点隔应的暴力情节，爽片可以担当。
我没有情怀，所以看的不是很明白，就是一个复仇的故事
夫妻反目都到了相互仇杀动刀动枪，向对方真搂扳机的地步，节外生枝后又修补了爱情真是开挂得一塌糊涂啊！
挺不错，两主角开打以后，喜剧，血腥，爽翻天，就是bug太多，看的挺欢乐！
〈三星半〉此片有门槛；光看这部不会让人有追这个系列的冲动。美漫画风。
有点太美式了…总的感觉上来看，还是真人剧好一些。
出乎意料的好看，有日本动画流畅的动作和风格，但是节奏又快上许多，好评！
音效真是拳拳到肉，看得我真怕后面突然冒出一个人，真的太吓人了。最后的反转真是又现实又讽刺。尼玛小蓝推荐得很好，下次不许推荐了。集合了我所有不喜欢的点，婚姻矛盾、暴力血腥，真是太合我胃口了呕！
真是一对亲夫妇，一个要将对方分尸沉湖，一个要意外终结他，到了危急的时候又愿意拿出所有私藏守卫他的贞操了，有趣，我笑了，但时间太长了，人均三条命。最后拍好莱坞电影还搞个黑人去，你们也晓得美国流行的政治正确啊
Copyright © 2015-2023 All Rights Reserved
