James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
【6.2】
静香又又又洗澡了！
這幾年的在影院看的多啦A夢都沒讓我失望過 音效還做得挺好的
看着大雄和哆啦A梦在屋里大口吃蜜瓜、放肆地哭笑，影院里的孩子也跟着他俩大笑起来。
可能是我老了嘛 弟弟妹妹挺喜欢的 也有可能去年的伴我同行更适合我 所以并没有很喜欢这一部。
在动画中鸟瞰战火下破败的街道与楼房，百姓在恐惧中注视着电视上领导人之间无休的对抗，孩子们尚且看不懂什么是独裁，大人们却只能感叹奔上街头的愿景太过天真。正如简单的逻辑无法治愈现实，粗糙的故事难以再现经典的光辉。何时开始连哆啦A梦都开始为政治操心，我们是不是也该为那些一去不回的简单快乐而长叹一声。
太长了，一个小时就能演完，非要拖到快两个小时，小朋友都觉得无聊，还不如回家写作业。
可惜了完美世界4号厅那么好的配置
這幾年的在影院看的多啦A夢都沒讓我失望過 音效還做得挺好的
看完了才想起来，小学时代看过这部的漫画，也许是成年以及阅片量的导致的阈值提高，小时候这部的反派给了我很大的压迫感，但是在电影院却觉得一般。(小仓鼠)
2022.5月 与洪于武汉光谷
没有惊喜了，没有小时候的感觉了，还是让这些都留在童年的回忆里吧
可能是对童年动画片的期望太高的原因，对这部动画片一点好感都没有。
跟老胡看的第二部蓝胖子。只能说，真的一年不如一年了。
“那我就简短地说几句吧”
故事核心是 好人不撒谎？
电影三星，但是是跟男朋友在一起看的第一部，所以加一星
因为和好朋友一起看可以一边吐槽一边大笑真是太有意思啦。
小夫感觉拿了男主剧本
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