Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
啥？我看了五十分钟的啥？五十分钟可以用一句话说清楚的啥玩意
第一次看，因为口碑很好加上经过后期修复，所以想看看，看完我感觉一般，可能小孩子看感觉有趣。
蛋生：打倒了妖精却无法击垮体制，拯救了百姓却无法拯救师父。
普罗米修斯+民间故事，但剧本搞成这样着实浪费好题材……
袁公不惜触犯天条把天书享予凡人 殊不知凡界净是魑魅魍魉 西方动画技术传入中国 便不再有这水墨剪影的艺术 都是寓言
小品电影毫无惊悚，故事蛮有趣，压缩一半时间会更有趣，女主真的美，强拉及格
每每看到“上海美术电影制片厂出品”这几个字，往往只能哀叹今不如昔。
哇咔咔，蛋生，现在还在想这个名字
2022.3.**女主因为自尊杀了抢劫犯和富豪未婚夫
小時候就就覺得很好看啊！不知道為什么現在的中國動畫這么難看
我觉得小时候应该看过，但确实记不得了，不知道是不是当时被吓到或者怎样……其实中国动画就应该这样，很有自己的特点，无论是故事还是绘画。层层递进地故事情节丝毫不会让人觉得无聊，每一层毫无拖沓。
整个故事就围绕着一栋房子和三个人，看起来居然一点都不枯燥，演的都挺好，就是女主的逻辑转变有点太突兀了。
儿时果然是看过的，83年的？那时有彩色了吗？做成这样，真是了不起
虽然大家都说这是普罗米修斯盗取天书的故事，但蛋生和袁公两人的戏份相比于狐狸精三人组少了些，出彩的地方几乎都在反派们的表演上，这就让讽刺性显得极强。
这才是传说中的中国风吧；不是给小孩看的吗，干嘛弄那么惨的结局；配音很棒，完全不用字幕添累赘；这里面的玉帝是大吃货，皇帝是小皮孩，蛋生是个喜欢从中间开始吃烙饼的小朋友。
喜剧可能更合适一点，开头还有点意思，后半段就开始墨迹了，明显撑不起一部电影，想快进到结尾看看最后怎么样，好在结局还有点意思，6.2
编剧想向孩子表达什么思想？动画、音效不错。
再次证明，沙雕死于话多。还有，鞋带很重要。
年轻狐狸精还真美。袁公乃中国的普罗米修斯呵。
Jesse Plemons演技真的可以
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