Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就偶尔看看这种烂片当消遣也还行吧…但把电影当连续剧拍的 可真是头回见
平安夜@vegas 个人认为挺拉的 整个visuals和节奏就过于商业化了 很模版的感觉 然后剧情很散 基本找不到主线剧情 就像一些碎片拼凑起来 感觉导演就是想到哪里拍到哪里 然后和朋友都一致认为整个风格和前两部太不合了 前两部就是爽片+动作戏 这个个人感觉文戏武戏都拍的不咋滴 我中间看的睡着了一会儿 还有儿子这个角色实在是太拉垮很没必要 就是一个让他爸觉醒的工具人 完全没必要花这么多篇幅和戏份来写他 还以为他是主要人物呢 反派像设置一个小悬念但感觉揭晓的时候没有让人觉得意料之外情理之中的感觉就是很平淡 整体感觉挺一般的
How come they have nothing else to worry about but having sex and being childish in an incomprehension way. And excuse me the fucking “irresponsible parent trauma” shit!?
比第二季好，但还是有点进展的过于快速。这季女主颜值拍的不错
看到男主是凡思的亲儿子，我的内心。。。
太可怕了，这居然第三部都上映了，看这样还会有第四部！拜托《五十度》系列都没这么过分好吗？！剧情真的是无力吐槽，就靠几场do i的戏码吸引眼球了，除了看两主角各种上床又吵架又和好，最后居然还整出了类似家庭伦理剧的狗血戏码，男主居然是他妈和隔壁老王生的？！WTF？？女主最后都无语了，何况观众呢？！第四部的质量已经不抱任何期待了，看看还能整出些什么花样来，拭目以待！
抛出鬼扯历史，动作还是精彩的，感情还是到位的。
这简介谁写的我笑死。剧情真的太无语了，虽然有猜到吧但真看到了还是好无语，另外再次建议男主还有女主她爸选择AA meeting（不是。男主人设在我这里的唯一优点大概是他还蛮忠诚的。BTW我喜欢上一部的金伯莉和小朋友多一点。
故事讲的稀碎，无意义的转折和角色充斥其间。瞎学权游，看着像男主的人竟然在电影中途搞笑式死了？故意恶搞一战前后几大国家首脑，原来除了英国人，其他国家的人都是傻逼，被别人控制的呗？
评论区真的有人为了看sex scene来看这套电影的……这种一床戏就切头部特写有啥好看，五十度灰和布里奇顿第六集不比这个好多了？！这一集依旧是fuck fight fuck fight fuck 循环模式……
现在还有这样狗血的剧情了吗？男女主的颜值支撑着看完
抱着试试看的想法，结果出乎意料，好电影一部...
除了男女主角，配角換了一輪又一輪。覺得觀眾是失憶還是怎麼的？
看个电影看出连续剧的感觉了，总想看下一部！
一部比一部“三级片”。冲着男主颜值，多给一星。
一战或二战的战争场景出现在特工类电影里并不奇怪，不过能如此高质与好看，就殊为不易了。本片主要讲述了特工组织的起源，对于背景的处理，应是采取了戏说事实的办法，列宁与希特勒的会面，将会上演怎样的故事？
咦，怎么越来越好看了，hero变帅了，演技也变好了，等4
别总是你追我跑再见面和好
这是什么垃圾，无聊透顶！更要命的是美国猪猡夹带私货污蔑列宁！
我的眼球受苦了。我求求hero不要浪费好皮囊，认真练习演技吧你！
Copyright © 2015-2023 All Rights Reserved
