Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
这两三个人出演的电影就是为了演绎人为财死这一定律吗？不好看。
低成本电影，就这剧情还拍了九十多分钟，主角也是真的傻乎乎的样子。
真特么应景，对没错，H5N1就是美国人放的。
很老套的故事，结局也是很好预测。流水线的片子。男主是老演员，演技在线，剧本不行。
剧本不错，但是结局落入俗套。喜欢这类题材，所以豆瓣显示5分多也情不自禁下载。一部电影没有一个好导演就不能成为伟大的作品。剪辑太成问题。
前半让人感觉会有些深度，后半直接拉低一个档次。
退伍老兵加入神秘队伍，干的却是鸡鸣狗盗的伎俩，被出卖后愤然反抗……
内部人坑内部人，杀熟，一切为了利益，男主还是很帅的，进入主题慢了点，后面套路了点，美国大兵身体素质都这么牛么，那么重伤打个强行针就能继续飞檐走壁
男主又瘸脑子也不好使
值得深思
可以入选今年最喜欢的电影之一，配乐、调度、光影、演员、剪辑都很强大。片尾曲那么轻柔就更棒了。
我们都会遇到生活的困境，或者有时候选择就是一个无知的未来！
这人性刻画的还行，就是为啥不敲一点下来先走
废土风马马虎虎吧，有点无聊。这老有几个苍蝇围着脑壳飞这有点厉害。
结局会是如何？
最后本福斯特演的角色，要是不死，就完美了，为了兄弟，与老板决裂，6分
看在Pine的面子上勉强给加一星，真的不太好看唉，节奏感掌握的不算太好。
掘金？还是掘坟？荒漠废土感拍的不错，饥渴、无助，看到三分之一处就基本猜到了结局，人性的贪婪永远在这个世界的任何一个角落里滋生。三星……
逻辑上面有点勉强，参与袭击生物所的人突然遭遇大批警察，好像是被举报了。然后被追杀，而单单要男主的命，是为了封口吗？后面小本空场地手枪进攻房屋里的老板，不专业，完全不找掩护，被狙击枪打了，还继续往前。总体还不错，一帮退役雇佣兵，干脏活，高风险，高报酬。资本驱使下，这种事，每时每刻都在发生。
贪婪往往让人以身范险，但是往往要命的就是你认为的没事
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